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LADY IN BLUE is one of my favourite paintings by Vermeer.
He often combined a figure with a map, which is a kind of
abstract image and this gave me the idea of using a painting by Mondrian.  So the figurative is combined with a modern abstraction.  Vermeer and Mondrian are two of the greatest Dutch artists and I admire both immensely.  This new image also refers to the passage of time and the way art endures and inspires long after it was created.
      This is an acrylic painting on canvas mounted on a 1/4 inch panel.  It is unframed.
LADY IN BLUE is one of my favourite paintings by Vermeer.
He often combined a figure with a map, which is a kind of
abstract image and this gave me the idea of using a painting by Mondrian.  So the figurative is combined with a modern abstraction.  Vermeer and Mondrian are two of the greatest Dutch artists and I admire both immensely.  This new image also refers to the passage of time and the way art endures and inspires long after it was created.
      This is an acrylic painting on canvas mounted on a 1/4 inch panel.  It is unframed.
Lady In Blue  details
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LADY IN BLUE Painting

Tom Miller

Canada

Painting, Acrylic on Canvas

Size: 20 W x 20 H x 0.3 D in

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SOLD
Originally listed for $910
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187 Views
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About The Artwork

LADY IN BLUE is one of my favourite paintings by Vermeer. He often combined a figure with a map, which is a kind of abstract image and this gave me the idea of using a painting by Mondrian. So the figurative is combined with a modern abstraction. Vermeer and Mondrian are two of the greatest Dutch artists and I admire both immensely. This new image also refers to the passage of time and the way art endures and inspires long after it was created. This is an acrylic painting on canvas mounted on a 1/4 inch panel. It is unframed.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:20 W x 20 H x 0.3 D in

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I am fascinated and inspired by the work of great historic artists and often use their images as a starting point for my paintings. I enjoy giving something from the past a new interpretation, thus bringing Past and Present together. I was born in Detroit, Michigan. During childhood I lived in Hammond, Indiana, and teenage and early college years in California. As a child I loved making pictures and playing with puppets and these two interests determined my life as a professional artist. After completing my formal art studies at the University of Iowa, I moved to Nova Scotia and taught art to children for three years. During this time I also experimented with puppet-mask theatre. In 1972 I helped to found Mermaid Theatre, Nova Scotia and designed theatrical productions until 1986. I returned to painting part-time in 1981 and then full time in 1987. Since then I have exhibited in public and private galleries in Canada, the United States and Italy. The subjects I paint include still life, but mostly I create variations on historic masterpieces by artists I admire such as Vermeer, Mondrian and Leonardo da Vinci. In my theatrical designs I interpreted stories from the past in visual form and in my paintings I reinterpret images from the past. www.tommillerartist.com

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