VIEW IN MY ROOM
Italy
Painting, Acrylic on Wood
Size: 78.7 W x 55.1 H x 2 D in
The first in a series of 5 large paintings (acrylic, pigment, and pencil) on paper, mounted on wood. Five large works that develop a single theme. Landscapes identified by a sentimental - mental subject, and at the same time an object and physical presence. An investigation of the solemn and visceral depth of human and earth. Extremely durable material of rock and clay, profound fissures and holes - natural elements - guide the exploded inspiration in this territory that dances between place [space] and imagination. The beginning is chaotic, like a game, energetic proliferation swaying. Pigments and carbon dust, mixed with water, explore the surface -opening infinite possibilities. The partial absence of control preserves the freshness of thought, as the splashes of water and color have made so unpredictable. The resulting random spaces created from the movements of water permit an encounter with unexpected compositions, such as when one enters a cave containing unusual formations. This beginning determines the identity of each landscape and also it’s fate, constricting the successive passages of the initial formation, and allowing me to relive the birth of the rock through a pictorial experience. Passing from chaos to order, the static colors flank each other in synthetic geometric form - in harmony only in the overall composition, even if unexpected for typical logic
Original Created:2015
Subjects:Landscape
Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:78.7 W x 55.1 H x 2 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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My aesthetic research is constructed from the contrast composed of layers –both in the work regarding painting as well as in the physical forms. It is an interior language that is pacified with the combination of colored forms requiring the participation of the mind in order to satisfy a cosmic feeling. The figure is always present with a specific interest for geometry. I believe in a pure primitivism combined with the continual research for new emotions. I am not interested in classifying the style, rather I believe in the freedom of infinite method, given (as well) our century. The final work is the result of the growing process of an artistic personality. The various technical methods and knowledge of the materials are the means to compose a game of endless ideas.
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