VIEW IN MY ROOM
United States
Painting, Acrylic on Canvas
Size: 11 W x 14 H x 0.1 D in
Ships in a Crate
Shipping included
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I created this artwork to evoke the spirit of the iconic Leopard.I wanted to give the design a fresh and inviting new look by using floral shapes and forms in nature. I did this by creating the position of the leopard facing the viewer and staring head on. The leopard is running through the jungle and is about to jump in the water. It’s reflection ripples and glows outward bringing the viewer in. The Leopard hitting the water symbolizes the event’s nature as a meeting point for new visions and images. The background and surrounding colors reflect the leopards spots and camouflage. The whole effect is a spontaneous and lively illustration.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:11 W x 14 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Genevieve Esson has a B.A. in Painting from Webster University, an award winning artist, her work is collected regionally and internationally. Esson is a painter and multi media artist and has completed 20 Public Art Projects. Her main medium is painting in acrylics. Born and raised in St. Louis, Missouri, she participates and exhibits her artwork at fairs, festivals, gallery shows, coffee houses, hospitals, restaurants and LIVE art events. Esson makes paintings and mixed media artworks. By merging several seemingly incompatible worlds into a new universe, Esson tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations. Her works isolate the movements of humans and/or objects. By doing so, new sequences are created which reveal an inseparable relationship between motion and sound. By questioning the concept of movement, she uses a visual vocabulary that incorporates time as well as space – a fictional and experiential universe that only emerges bit by bit. Her works are based on imaginary associations which open a unique poetic vein. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. With a conceptual approach, luring the viewer round and round in circles, she finds that movement reveals an inherent awkwardness, a humour that echoes our own vulnerabilities.
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