VIEW IN MY ROOM
Life Degenerating Into Mechanism Painting
Australia
Painting, Acrylic on Paper
Size: 24.4 W x 34.3 H x 2.8 D in
About The Artwork
Owen Barfield once said “The trouble with insects is that they are like French Locomotives, they have the works on the outside.” The work you see before you is a mechanical footprint in both its production and the philosophical stance in which it supports. The face of Jesus intends to challenge conventional portraiture through technological and contemporary artistry. I seek to create a body of work that highlights his notion of acceptance and peace. On one hand we are told to embrace mercy by accepting God’s sovereignty, yet on the other, we have become socially conditioned to seek acceptance through personal performance and outward works. My intention is to adapt to the intrinsic affirmation that presents itself through acceptance as a singularity.
Original Created:2023
Subjects:Abstract
Details & Dimensions
Painting:Acrylic on Paper
Original:One-of-a-kind Artwork
Size:24.4 W x 34.3 H x 2.8 D in
Frame:Not Framed
Ready to Hang:No
Shipping & Returns
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Australia
The constant theme running through my work is 'Adaptability'. My work is a personal expression and commentary of my own experience with place, wellbeing, culture and religion. I use the language of art to explore and reflect upon my own journey of adapting to change; these include the change in health, my personal encounters with different environments and belief systems. My technique involves a methodical process such as critical thought, expression of the observed and the continuity of refinement. It is important for me to allow my inner-child the freedom to participate in the art making process, as I strive to free myself from the aesthetics of figurative, representational, visual language by wrestling with the purity and formation found in material and experimentation. www.dpattenden.com
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