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'Light Approach' in my Studio
'Light Approach' in my Studio
'Light Approach' in my Studio
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'Light Approach' in Work Environment

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Light Approach Painting

Janet Gammans

United Kingdom

Painting, Acrylic on Canvas

Size: 23.5 W x 19.5 H x 1 D in

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$1,630

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ABOUT THE ARTWORK

'Light Approach' is a semi abstract, coastal fine art painting in acrylic medium on canvas. Impressionist in its' style and full of colour with texture, creating great depth, perspective and light throughout. I used an infusion of colour from a palette of pink, turquoise blue, green and orange in complementary and subtle shades to describe the forefront of this rural landscape with lighter tones for the sea, waves and sky as it reflects onto the land. The paint and mediums used integrate and interact achieving fluidity and unity to this inspired work of art. For me, it expresses an emotional response to the atmospheric mood of the day as it gives way to the changing light, casting shadow and drama and giving the viewer a sense of calm and wonder. It has been painted onto primed cotton canvas with solid wood bar frame for its sturdy support. The artwork has been left unframed for you to decide your own style according to the interior, whether office or home environment. A contemporary, stylish and harmonious piece of artwork creating a pop of colour to your space.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

23.5 W x 19.5 H x 1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Janet works from her studio in South Cambridgeshire, as a freelance artist, supplying semi abstract, impressionistic and fine art to publishing companies worldwide. Her paintings are sold from galleries throughout the South of England and internationally via the web. She has become a much recognized artist for her subject matter and her unique creative style of work. ʺI enjoy experimenting with all mediums but watercolor and acrylic are the ones I find most satisfying. Depending on the subject, I find that it would either lend itself more to the delicate touches of watercolor or to the stronger and more vibrant colors of acrylic paint and each would allow me to translate a ‘mood’ a subject might evoke”. I have come to realize that it’s not ‘what you paint’ that is important, but ‘how you paint it’. So in my interpretation of painting a subject, I try to maintain the essence of what first inspired me to paint it. For me, what is fundamental in my paintings are light, subtlety of color, harmony, depth and drama, while still staying true to the subject. In my finished work, I hope that I have conveyed to the viewer a sense of mood, which was present at the time of painting it.ʺ

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