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"Light Field Reflections" Painting

→ Mary Robertson, United States

Painting, Acrylic on Canvas

46 W x 48 H in

Ready to Hang

$5,810

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Abstract expressive painting with bold color, stripe motifs, and multiple layers. Acrylic on unstretched canvas with a 3 inch border for stretching. Signed, dated, and titled on the back. This painting is from a prolific period when I was using a lot of squeegee techniques, and I've referred to...

Year Created:

2014

Subject:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

46 W x 48 H x 1.5 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Mary Robertson

About the Artist

Mary Robertson

United States

I am an abstract painter working in oil, acrylic, and watercolor. I switch between mediums frequently, and I often experiment with a variety of tools. Experimentation and chance have been catalysts toward new bodies of work. My artwork is represented by Unsettled Gallery in Las Cruces, New Mexico.

Generally, I have painted in an abstract aerial landscape style, and I tend to favor a bright palette with lots of contrast. My painting process is explorative. I rarely plan a painting. Rather, I begin by making gestural marks. Those skeletal marks influence the direction of the painting, giving the process a beginning. Form is brought to life with the use of color, and I will often give "objects" subtle shadows to convey a sense of depth in my non-objective pieces, hinting at what I like to call "personification of form." A square of color appears to float with a small shadow under it, nearly making it an actual thing, and giving it a personality of sorts. The process of painting involves making these forms relate to each other, becoming a whole painting in the end.

Recognition:

  • Artist featured in a collection

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