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Zalâm ظلام is "darkness", and extends to mean "ignorance". Furthermore, if read with a slight emphasis that doesn't affect the spelling, zallâm ظلّام means: "absolutist, tyrant, dictator, a person advocating a totalitarian system, despotic, unjust".

I was moved to work with this word in response to the hideous shock of the 2016 US elections, and this was my starting point, but the piece revealed itself gradually in the making. First, I realized that once given a Kufi treatment, the word zalâm contained in its shapes the word diyâ', which is "light".

So the piece became about the seed of light contained in the darkness. (This is not a new idea. In the 5th century Greek philosophers coined the word enantiodromia to describe the fact that anything that reaches its extreme turns into its opposite. Much earlier than this, the knowledge that opposite forces give birth to each other was symbolized by the Taijitu or "yin-yang symbol".)

The pattern made up of the word zalâm was debossed in the black background, so that it is written really by its own shadow. It is barely visible – well, the nature of darkness is that you can't see it. The word diyâ' was painted with an interference medium, which is mostly transparent on its own but is revealed by light, and changes as the light changes.

Ironically, in the finished result, the small areas of light have much more presence than the mass of darkness, so that another layer of meaning was only revealed upon completion: the fact it takes very little light to dispel even the deepest gloom.
Zalâm ظلام is "darkness", and extends to mean "ignorance". Furthermore, if read with a slight emphasis that doesn't affect the spelling, zallâm ظلّام means: "absolutist, tyrant, dictator, a person advocating a totalitarian system, despotic, unjust".

I was moved to work with this word in response to the hideous shock of the 2016 US elections, and this was my starting point, but the piece revealed itself gradually in the making. First, I realized that once given a Kufi treatment, the word zalâm contained in its shapes the word diyâ', which is "light".

So the piece became about the seed of light contained in the darkness. (This is not a new idea. In the 5th century Greek philosophers coined the word enantiodromia to describe the fact that anything that reaches its extreme turns into its opposite. Much earlier than this, the knowledge that opposite forces give birth to each other was symbolized by the Taijitu or "yin-yang symbol".)

The pattern made up of the word zalâm was debossed in the black background, so that it is written really by its own shadow. It is barely visible – well, the nature of darkness is that you can't see it. The word diyâ' was painted with an interference medium, which is mostly transparent on its own but is revealed by light, and changes as the light changes.

Ironically, in the finished result, the small areas of light have much more presence than the mass of darkness, so that another layer of meaning was only revealed upon completion: the fact it takes very little light to dispel even the deepest gloom.
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VIEW IN MY ROOM

Light in the Darkness Painting

Joumana Medlej

United Kingdom

Painting, Acrylic on Paper

Size: 27.6 W x 27.6 H x 0 D in

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Originally listed for $2,900
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About The Artwork

Zalâm ظلام is "darkness", and extends to mean "ignorance". Furthermore, if read with a slight emphasis that doesn't affect the spelling, zallâm ظلّام means: "absolutist, tyrant, dictator, a person advocating a totalitarian system, despotic, unjust". I was moved to work with this word in response to the hideous shock of the 2016 US elections, and this was my starting point, but the piece revealed itself gradually in the making. First, I realized that once given a Kufi treatment, the word zalâm contained in its shapes the word diyâ', which is "light". So the piece became about the seed of light contained in the darkness. (This is not a new idea. In the 5th century Greek philosophers coined the word enantiodromia to describe the fact that anything that reaches its extreme turns into its opposite. Much earlier than this, the knowledge that opposite forces give birth to each other was symbolized by the Taijitu or "yin-yang symbol".) The pattern made up of the word zalâm was debossed in the black background, so that it is written really by its own shadow. It is barely visible – well, the nature of darkness is that you can't see it. The word diyâ' was painted with an interference medium, which is mostly transparent on its own but is revealed by light, and changes as the light changes. Ironically, in the finished result, the small areas of light have much more presence than the mass of darkness, so that another layer of meaning was only revealed upon completion: the fact it takes very little light to dispel even the deepest gloom.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:27.6 W x 27.6 H x 0 D in

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I'm a British-Lebanese artist who moved from Beirut to East London about a decade ago. I'm best known for reviving archaic styles of Arabic calligraphy (the Kufi scripts) and the medieval art materials that accompany them. My work reflects my experience of the world as being alive with mystery. It invites the viewer to step into this forgotten space by holding them in wonder and stillness: in this vulnerable moment, when one is silenced by beauty and by not-knowing, remembrance can stir. To this end, the work takes on different shapes, from images of contemplation made up of unreadable words to multisensory interactive objects that tell an unspoken story.

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