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Lignum Tortuosum (Lyons on Lockdown #28) Painting

Paul Lyons

New Zealand

Painting, Watercolor on Paper

Size: 15 W x 11 H x 0.1 D in

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$725

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About The Artwork

There's a little park beside the main entrance to Massey University, Bledisloe Park. It's used as a parking area by indigent students, and a source of free cars by indigent car-thieves. Turitea Stream runs beside it, and there are a couple of walking tracks through it, some leading to the university, and some just leading through gorgeous bush. This is one of the trees along one of the tracks. The tree, produced with a stylised technique - dragging liquid paint with a credit card - looks highly realistic, while the leafage in the background, painted more realistically - by repeated phases of masking out individual leaf shapes, and applying a green wash to suggest the colour behind them - looks more stylised. The main tree is close in appearance to the real one; the others I invented to balance the composition. People sometimes ask me, in something of an accusatory tone, whether I base my pictures on photographs, or even observe, disdainfully, that they look just like a photograph. Personally, I never think my paintings look like photos, but if a painting looks to you as though it was copied verbatim from a photo, you can be pretty sure it wasn't. At least one of my Lockdown paintings was painted without any photographic reference at all. Clearly not the magpie, which required close observation of a photo for its main subject (although the background was invented), or today's painting (ditto), but it could be any of the others. Which do you think it was?

Details & Dimensions

Painting:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:15 W x 11 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born: 1953, London
Painter, Actor, Opera singer, Leadlight artist, University lecturer, Engineer, Chemist, Parent, Husband, New Zealander

Paul Lyons is a New Zealand artist working in watercolour.

He uses a variety of techniques to achieve the unusually rich, dark colours and textures that characterise many of his watercolours, and his paintings often include layers of collaged Japanese rice paper or gouache.

He has exhibited in various galleries, including the New Zealand Academy of Fine Arts and his paintings hang in collections throughout New Zealand and in America and Britain.
The paintings are all watercolours executed with archival-quality materials (100% rag paper and paints with a lightfastness rating of A or AA).

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