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"Listen to the Colour #4" (see below for the description of the series) gives me the strong impression of blossoms, of tender lilys in a hidden romantic pond, so thats its subtitle. Nevertheless, it is a really bold, punchy and edgy artwork. The colours are bright, though tender and organic (white, rose, blue, green and orange as main colours). While working on the first paintings of the "Listen to the Colours" series, I thought about people who are known as synesthetes. That means that the stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second. So synesthetes - for example - look at a colour or painting and translate this into sound or reverse: see colours when they hear music. I'm not a synesthet, but the idea of how my paintings would sound or what song would have the colours of my paintings, was fascinating! "Nymphaea - Water Lily" is painted on self stretched linen canvas with a transparent priming; due to the transparent priming the natural colour of the linen is part of the painting. Acryclic, charchoal and ink on linen canvas. Signed on the front and signed and dated on the back. Sealed with a professional matt varnish (Lascaux) for protection and to optimize the colours. The sides are also linen with some traces of paint. A professional hanger is already mounted. 100 x 100 x 2 cm | 39.4 x 39.4 x 0.8 in. As mentioned before, "Listen to the Colour" is a series. The other paintings will match perfectly, so if you need - or want - more than one painting, have a look at them!
"Listen to the Colour #4" (see below for the description of the series) gives me the strong impression of blossoms, of tender lilys in a hidden romantic pond, so thats its subtitle. Nevertheless, it is a really bold, punchy and edgy artwork. The colours are bright, though tender and organic (white, rose, blue, green and orange as main colours). While working on the first paintings of the "Listen to the Colours" series, I thought about people who are known as synesthetes. That means that the stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second. So synesthetes - for example - look at a colour or painting and translate this into sound or reverse: see colours when they hear music. I'm not a synesthet, but the idea of how my paintings would sound or what song would have the colours of my paintings, was fascinating! "Nymphaea - Water Lily" is painted on self stretched linen canvas with a transparent priming; due to the transparent priming the natural colour of the linen is part of the painting. Acryclic, charchoal and ink on linen canvas. Signed on the front and signed and dated on the back. Sealed with a professional matt varnish (Lascaux) for protection and to optimize the colours. The sides are also linen with some traces of paint. A professional hanger is already mounted. 100 x 100 x 2 cm | 39.4 x 39.4 x 0.8 in. As mentioned before, "Listen to the Colour" is a series. The other paintings will match perfectly, so if you need - or want - more than one painting, have a look at them!
"Listen to the Colour #4" (see below for the description of the series) gives me the strong impression of blossoms, of tender lilys in a hidden romantic pond, so thats its subtitle. Nevertheless, it is a really bold, punchy and edgy artwork. The colours are bright, though tender and organic (white, rose, blue, green and orange as main colours). While working on the first paintings of the "Listen to the Colours" series, I thought about people who are known as synesthetes. That means that the stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second. So synesthetes - for example - look at a colour or painting and translate this into sound or reverse: see colours when they hear music. I'm not a synesthet, but the idea of how my paintings would sound or what song would have the colours of my paintings, was fascinating! "Nymphaea - Water Lily" is painted on self stretched linen canvas with a transparent priming; due to the transparent priming the natural colour of the linen is part of the painting. Acryclic, charchoal and ink on linen canvas. Signed on the front and signed and dated on the back. Sealed with a professional matt varnish (Lascaux) for protection and to optimize the colours. The sides are also linen with some traces of paint. A professional hanger is already mounted. 100 x 100 x 2 cm | 39.4 x 39.4 x 0.8 in. As mentioned before, "Listen to the Colour" is a series. The other paintings will match perfectly, so if you need - or want - more than one painting, have a look at them!
"Listen to the Colour #4" (see below for the description of the series) gives me the strong impression of blossoms, of tender lilys in a hidden romantic pond, so thats its subtitle. Nevertheless, it is a really bold, punchy and edgy artwork. The colours are bright, though tender and organic (white, rose, blue, green and orange as main colours). While working on the first paintings of the "Listen to the Colours" series, I thought about people who are known as synesthetes. That means that the stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second. So synesthetes - for example - look at a colour or painting and translate this into sound or reverse: see colours when they hear music. I'm not a synesthet, but the idea of how my paintings would sound or what song would have the colours of my paintings, was fascinating! "Nymphaea - Water Lily" is painted on self stretched linen canvas with a transparent priming; due to the transparent priming the natural colour of the linen is part of the painting. Acryclic, charchoal and ink on linen canvas. Signed on the front and signed and dated on the back. Sealed with a professional matt varnish (Lascaux) for protection and to optimize the colours. The sides are also linen with some traces of paint. A professional hanger is already mounted. 100 x 100 x 2 cm | 39.4 x 39.4 x 0.8 in. As mentioned before, "Listen to the Colour" is a series. The other paintings will match perfectly, so if you need - or want - more than one painting, have a look at them!
"Listen to the Colour #4" (see below for the description of the series) gives me the strong impression of blossoms, of tender lilys in a hidden romantic pond, so thats its subtitle. Nevertheless, it is a really bold, punchy and edgy artwork. The colours are bright, though tender and organic (white, rose, blue, green and orange as main colours). While working on the first paintings of the "Listen to the Colours" series, I thought about people who are known as synesthetes. That means that the stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second. So synesthetes - for example - look at a colour or painting and translate this into sound or reverse: see colours when they hear music. I'm not a synesthet, but the idea of how my paintings would sound or what song would have the colours of my paintings, was fascinating! "Nymphaea - Water Lily" is painted on self stretched linen canvas with a transparent priming; due to the transparent priming the natural colour of the linen is part of the painting. Acryclic, charchoal and ink on linen canvas. Signed on the front and signed and dated on the back. Sealed with a professional matt varnish (Lascaux) for protection and to optimize the colours. The sides are also linen with some traces of paint. A professional hanger is already mounted. 100 x 100 x 2 cm | 39.4 x 39.4 x 0.8 in. As mentioned before, "Listen to the Colour" is a series. The other paintings will match perfectly, so if you need - or want - more than one painting, have a look at them!
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Listen to the Colour #4 | SOLD (UK) Painting

Daniela Schweinsberg

Germany

Painting, Acrylic on Canvas

Size: 39.4 W x 39.4 H x 0.8 D in

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SOLD
Originally listed for $2,510
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Artist Recognition

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Featured in the Catalog

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Showed at the The Other Art Fair

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About The Artwork

"Listen to the Colour #4" (see below for the description of the series) gives me the strong impression of blossoms, of tender lilys in a hidden romantic pond, so thats its subtitle. Nevertheless, it is a really bold, punchy and edgy artwork. The colours are bright, though tender and organic (white, rose, blue, green and orange as main colours). While working on the first paintings of the "Listen to the Colours" series, I thought about people who are known as synesthetes. That means that the stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second. So synesthetes - for example - look at a colour or painting and translate this into sound or reverse: see colours when they hear music. I'm not a synesthet, but the idea of how my paintings would sound or what song would have the colours of my paintings, was fascinating! "Nymphaea - Water Lily" is painted on self stretched linen canvas with a transparent priming; due to the transparent priming the natural colour of the linen is part of the painting. Acryclic, charchoal and ink on linen canvas. Signed on the front and signed and dated on the back. Sealed with a professional matt varnish (Lascaux) for protection and to optimize the colours. The sides are also linen with some traces of paint. A professional hanger is already mounted. 100 x 100 x 2 cm | 39.4 x 39.4 x 0.8 in. As mentioned before, "Listen to the Colour" is a series. The other paintings will match perfectly, so if you need - or want - more than one painting, have a look at them!

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 0.8 D in

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Abstract, Powerful, Gestural - three words to describe my art! Each of my artworks is truly unique and only one of its kind. MY ARTIST STATEMENT "An abstract painting challenges the artist even more, because it’s an act of creation on the artist's own terms." MY INSPIRATION I find my inspirations in colours and materials - for example in a beautiful deep turquoise mountain lake or in the washed-out grey of concrete in a city. Based on such impressions and inspirations I commence my work and my artwork often comes to life in little series. Each painting is unique and the creation and development of each painting can be a time consuming process, usually lasting many days or weeks and in some cases up to a few months. MY TECHNIQUES I appreciate the manual work of building, stretching and priming my own frames. I really get engrossed in this, it’s the first encounter with a new work and a good start for the creative process; me and the canvas did get familiar with each other. My paintings are acrylic mix paintings, for example, acrylic paint with charcoal, oil pastels, pencils, spray paint and many other artistic materials. Sometimes I combine these materials with collage materials. My pieces of art are created informally. Each step builds on the previous step, leaving room for chance but also for corrections and erasures, until the final finished artwork has evolved as a composition of colour, shape, texture and surface. Each piece of art is truly unique and only one of its kind!

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