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"Louder Than A Bomb 1963" Painting

Brian Hebert

United States

Painting, Acrylic on Other

Size: 48 W x 24 H x 2 D in

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About The Artwork

"Louder Than A Bomb 1963" was inspired by the 16th Street Baptist Church bombing in Birmingham, Alabama on September 15, 1963, and the 4 young girls that were killed, Addie Mae Collins, Denise McNair, Carole Robertson and Cynthia Wesley. I used a cloudscape in the background to represent a state of higher consciousness, despite a wicked act of terrorism inflicted, you can destroy the physical but not the spirit. The word BOMB was used, which is defined as a destructive device or utter failure, except when used in the culture of hip hop, is represents high potency, something of great value. I used the aftermath of the church explosion to describe the destruction within the letters of BOMB, a completely gutted out and ruined building, the remains of a building that represented the body. This piece was also inspired by the revolutionary rap group Public Enemy and their song "Louder Than A Bomb".

Details & Dimensions

Painting:Acrylic on Other

Original:One-of-a-kind Artwork

Size:48 W x 24 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a painter as well as a curator, fascinated with depth and dimension on a 2 dimensional surface, preferably wood. My compositions are inspired by music and metaphysical thought. When I listen to certain songs my mind starts to compose, which is part of my process, as well as painting on color and in layers upon layers. I include sky and cosmos in my compositions coupled with a word commonly used in the golden era hip hop vernacular, using fonts and or graffiti style letters to get my point across in this body of work, which I call Word Power. I also use a sky, cloud scape, or a galactic background in my work as a metaphor for maintaining higher consciousness, as well as expressing my inspiration from music especially music used in the foundation of hip hop culture. My titles reflect my b-boy influence with pieces inspired by Gang Starr, Public Enemy, Outkast, and Cameo to name a few. I refer to the manner in which I work as Visual Rhyme Translation, seeing my paintings as visual lyrics or songs if you will. My visual arts influences are John Biggers, his references to the cosmos and the Dogon, fascinate me to this day, and inspire my metaphysical approach to composition, and the African-American Collective AFriCOBRA and it's influential artists, Nelson Stevens, Wadsworth Jarrell, and Jeff Donaldson to name a few, with the use of their Kool-Aide colors, patterns and concepts that speak to African American thoughts and ideas, which created new compositions and approaches to painting. I love the patterns and bold statements made by Faith Ringgold in her quilt work and the sophisticated and culturally conscious paintings by Lois Mailou Jones.

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