VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Canvas
Size: 17.8 W x 17.8 H x 1.5 D in
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I was surrounded by the Mourne Mountains throughout my school days. My school house was named after Donard peak and another was named after Binion. As a teenager I spent some time with the Kitzmantel family in Austria. The parents had been ski champions. They took me into the mountains of the Salzkammergut near lake Toplitz. Memories of those experiences were important in my developing interest in the current debate on climate change and its effect on the environment. One of many books which influenced my interest in climate and landscape is Mark Lynas's book 'The God Species' How the Planet can Survive the Age of Humans. We are both creators and destroyers of life according to him. We can only hope to manage the planet if we understand how its various physical elements affect one another. When you go into mountains and experience the clean air they seem to act like the lungs of the world. I started painting in acrylic instead of oil because of the health of someone working close to me. I resented it to start with but I found that I could experiment with different techniques particularly using tape. My use of it is very apparent in their work. When I paint it is as if I am going on a journey through an unknown landscape because I allow the development of the work to lead me on.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:17.8 W x 17.8 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I have worked throughout my career as a sculptor, mosaicist, film maker, painter and writer. My introduction to film making was through the director Peter Watkins for whom I worked as a student on the films Culloden and The War Game. My introduction to writing was through BBC, The Guardian and The Irish Times. My introduction to sculpture was through Eric Schilsky in Edinburgh and to painting through Mark Ainsworth at Belfast College of Art.
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