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About The Artwork
This work has as its starting point the relationship between plastic and architectural language. This piece reflects on the relationship between the individual and society based on their correspondence with their surrounding environment, the latter referring to the connection generated by geometry on the concentration of the metropolis itself. The work seeks to wield the possibilities offered by plastic expressiveness, in order to arrive at an intensely pictorial work. In fact, it is this plastic display that achieves the counterpoint between order and chaos, opening the door to reflect on the existence of a balance between the two that makes it possible to combine reason and intuition.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:47.2 W x 55.1 H x 1.1 D in
Frame:Brown
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Spain
Rodrigo as known as Erre is an architect and a graduate in fine arts, this is something that can be deduced when paying attention to his painting, which explores the relationship between painting and architecture through compositions that seek meeting points between the two, for this he does not hesitate to review with great interest the development of these throughout history, in order to discover the evolution of different ideas that have led him to opt mainly for the relationship between light and geometry. For almost a decade his interest in the aforementioned concepts, especially light as an intangible material to compose, is reflected through predominantly abstract compositions, with numerous keys from the history of architecture. Little by little the development of his painting, like architecture itself today, is taking more interest in the landscape and the environment that surrounds it and therefore it is possible to intuit a formal evolution from its mostly abstract starting point to his current painting in which there is a certain approach towards figurative.
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