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United States
Painting, Ink on Paper
Size: 18 W x 24 H x 0.1 D in
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Done with a variation of the artist’s original One Brush Technique with Bombay India Inks, MOON OVER MOJAVE celebrates the uncanny magnitude of the Southern California desert at night. Layering dark over light ink at the base of the mountain range, this special piece manages to capture the moon’s refection across the foothills onto the Mojave floor. The color combination is also unapologetically Western and contemporary in its boldness and contrast.
Painting:Ink on Paper
Original:One-of-a-kind Artwork
Size:18 W x 24 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Sol Luckman’s bold, atmospheric compositions have been featured on the covers of Itzhak Beery’s THE GIFT OF SHAMANISM, SHAMANIC TRANSFORMATIONS and SHAMANIC HEALING published by Inner Traditions. The artist’s most recognizable styles, One Brush Technique with ink and Wavy Gravy with acrylic, are employed in his ongoing exploration of spiritual energy. His vision of the world as fundamentally energetic could be called shamanic in its appreciation of the underlying conscious vibrancy of all things. The effect on the viewer just glimpsing this ineffable world underneath or inside the visible can be startling, even unsettling at times; it can also be highly aesthetically stimulating in an otherworldly way. In his self-illustrated art memoir, MUSINGS FROM A SMALL ISLAND, Luckman writes about the influence of the Russian modernist philosopher Viktor Shklovsky, who proposed that what characterizes genuine art is “estrangement.” “The purpose of art is to impart the sensation of things as they are perceived and not as they are known,” wrote Shklovsky. “The technique of art is to make objects ‘unfamiliar,’ to make forms difficult to increase the difficulty and length of perception because the process of perception is an aesthetic end in itself and must be prolonged.” Luckman’s intention is for viewers to encounter estrangement in the universe of intelligent energy intimated in his artwork, as objects condition space with their essence, and vice versa, and the outside conflates with the inside because All Is One.
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