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Travel plays a key role in Young Jamieson’s practice and her art work is a visual journal of these experiences. This particular piece is selected from the Series 'Dust Settled' inspired by her travels from North America. 

I close my eyes and I can see the morning sun. In the same hemisphere but a different atmosphere. The shades of blue that normally fill my eyes have been replaced with the fire and heat of American desert air. Reds and yellows and oranges I have seen before but never known. The exposure to the thick air allows me to be engulfed with the desert dust. Not dissimilar from the dust that settles on my window sill at home, except this has ignited itself to burn to become a free moving orange earth that settles on every surface and every crevice. 

Exposure to the landscape has allowed me to know the colours and let them come naturally. My southern introduction to the new fire element has allowed me to experiment with new materials and new processes of thinking about colour. I close my eyes and paint from memory. I see the bright lights and fluorescent pigments that dot the American landscape. Deep reds and pinks and oranges reflect of the sunburnt sand. 

I am influenced by what I see. I was previously daunted by these same pinks and reds, but as the desert dust settles around me, I understand them now. - A piece written by Lulu Farley commission for the series. 

www.victoriayj.co.uk/dustsettled
Travel plays a key role in Young Jamieson’s practice and her art work is a visual journal of these experiences. This particular piece is selected from the Series 'Dust Settled' inspired by her travels from North America. 

I close my eyes and I can see the morning sun. In the same hemisphere but a different atmosphere. The shades of blue that normally fill my eyes have been replaced with the fire and heat of American desert air. Reds and yellows and oranges I have seen before but never known. The exposure to the thick air allows me to be engulfed with the desert dust. Not dissimilar from the dust that settles on my window sill at home, except this has ignited itself to burn to become a free moving orange earth that settles on every surface and every crevice. 

Exposure to the landscape has allowed me to know the colours and let them come naturally. My southern introduction to the new fire element has allowed me to experiment with new materials and new processes of thinking about colour. I close my eyes and paint from memory. I see the bright lights and fluorescent pigments that dot the American landscape. Deep reds and pinks and oranges reflect of the sunburnt sand. 

I am influenced by what I see. I was previously daunted by these same pinks and reds, but as the desert dust settles around me, I understand them now. - A piece written by Lulu Farley commission for the series. 

www.victoriayj.co.uk/dustsettled
Travel plays a key role in Young Jamieson’s practice and her art work is a visual journal of these experiences. This particular piece is selected from the Series 'Dust Settled' inspired by her travels from North America. 

I close my eyes and I can see the morning sun. In the same hemisphere but a different atmosphere. The shades of blue that normally fill my eyes have been replaced with the fire and heat of American desert air. Reds and yellows and oranges I have seen before but never known. The exposure to the thick air allows me to be engulfed with the desert dust. Not dissimilar from the dust that settles on my window sill at home, except this has ignited itself to burn to become a free moving orange earth that settles on every surface and every crevice. 

Exposure to the landscape has allowed me to know the colours and let them come naturally. My southern introduction to the new fire element has allowed me to experiment with new materials and new processes of thinking about colour. I close my eyes and paint from memory. I see the bright lights and fluorescent pigments that dot the American landscape. Deep reds and pinks and oranges reflect of the sunburnt sand. 

I am influenced by what I see. I was previously daunted by these same pinks and reds, but as the desert dust settles around me, I understand them now. - A piece written by Lulu Farley commission for the series. 

www.victoriayj.co.uk/dustsettled
frame detail - wooden frame with matt navy paint
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Morning Sun Painting

Victoria Young Jamieson

United Kingdom

Painting, Acrylic on Canvas

Size: 31.7 W x 31.7 H x 2 D in

Ships in a Crate

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SOLD
Originally listed for $1,995
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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Travel plays a key role in Young Jamieson’s practice and her art work is a visual journal of these experiences. This particular piece is selected from the Series 'Dust Settled' inspired by her travels from North America. I close my eyes and I can see the morning sun. In the same hemisphere but a different atmosphere. The shades of blue that normally fill my eyes have been replaced with the fire and heat of American desert air. Reds and yellows and oranges I have seen before but never known. The exposure to the thick air allows me to be engulfed with the desert dust. Not dissimilar from the dust that settles on my window sill at home, except this has ignited itself to burn to become a free moving orange earth that settles on every surface and every crevice. Exposure to the landscape has allowed me to know the colours and let them come naturally. My southern introduction to the new fire element has allowed me to experiment with new materials and new processes of thinking about colour. I close my eyes and paint from memory. I see the bright lights and fluorescent pigments that dot the American landscape. Deep reds and pinks and oranges reflect of the sunburnt sand. I am influenced by what I see. I was previously daunted by these same pinks and reds, but as the desert dust settles around me, I understand them now. - A piece written by Lulu Farley commission for the series. www.victoriayj.co.uk/dustsettled

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:31.7 W x 31.7 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Victoria credits her upbringing in Cornwall as her founding inspiration towards her work. Influenced by the county’s unique light and the way it affects the surrounding environment, Victoria's work captures a truly original approach with regards to natural landscape art. By working with a wide range of media that include wax, resin as well as glue, she allows for the fluid nature of these materials to work of their own accord, in this way imitating the shifting and dramatic seasons of the Cornish coastline.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in New York, London, Bristol, Bristol, London, London, London, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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