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MXC: The Winter Show Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 48 W x 48 H x 1 D in

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About The Artwork

Most Extreme Elimination Challenge (MXC) is an American comedy television program that aired on TNN/Spike TV from April 19, 2003 to February 9, 2007. It is a re-purpose of footage from the Japanese game show Takeshi's Castle, which originally aired in Japan from 1986 to 1990. The re-purposed MXC created a completely new premise, storyline, and characters, with two teams competing against each other à la a typical team sports broadcast and players trying to win points for their teams by surviving through different challenges. In the original program the Count and his underlings would follow the progress of the players as they moved through the course. In the re-purpose Count Takeshi became veteran network announcer Vic Romano and the Count's flunky became young upstart Kenny Blankenship. Most Extreme Elimination Challenge was created and produced by RC Entertainment, Inc. (Paul Abeyta and Peter Kaikko) in Los Angeles, California, and Larry Strawther (a writer and producer on a number of network sitcoms). The three were friends who had worked together at Merv Griffin Productions in the late 1970s. Strawther was a staffer on Dance Fever, which Abeyta took over as executive producer the following season, while Strawther stayed with Jeopardy!. Between jobs they would occasionally try to create their own projects. One of these was the 1990s talk show spoof Night Stand with Dick Dietrick. MXC is the property of both Tokyo Broadcasting System (TBS) and RC Entertainment. The 2004 special episode MXC Almost Live is the property of Viacom International and was filmed in Orlando, Florida, by the producers of MXC. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 48 H x 1 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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