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Nodes is a project that contains two families "Strings" and "Nodes". Strngs are characterized by their fine and elaborate strokes; while Nodes is less meticulous in detail but equally impeccable in its execution and finishes. As in the family strings, the polygons of nodes contain outlines in gray color, which highlights and separates the main figure from the white background; and consequently it appears a simpler but no less sophisticated work.

Solo exhibition held in November 2017.

"This artwork does not need frame and is ready to hang".

GUEST CURATOR CONCLUSIONS ABOUT NODOS SERIES.

In Nodes, Jaime Domínguez, paradoxically deploys a
hyperdimensional project, through painting, a traditionally two-dimensional medium. The polygons that first show represent the limiting contour, the boundary to another field of
color, are also the window, or the shadow, of these hyperdimensional figures, which charge volume from the color, the frames and lines that cross them, announcing a complexity of a greater space. Before the spectator, what starts being a flat space, with an attentive look, begins to unfold many dimensions, projecting various
conceptual depths, as well as physical.

The monochromatic and flat backgrounds in the paintings, place the observer in an abstract geometric plane, alien to material reality, but full of formal and dimentional possibilities. The paradox also intensifies, while the painting is full
of smooth colors and straight lines, in some cases almost technical, and that nevertheless, make up
a spatial and formal ambiguity. What would seem almost technical from the side of the eye, is
Inaprensible, a detailed look, reveals that the figures and the light, exist only instantaneously, only to give that presence to another stage of the same work.

Eventually these figures escape the plane of the painting and become pieces to the interior of the room, where the spatial limitations are compensated, by the movement, but above all for the operations and visual games that are possible,
blurring the boundaries between the immediate and the distant.

Guillermo Lopez I. D.

Keywords: interior design, polygon, architecture, geometric, minimalism, modern, nodes
Nodes is a project that contains two families "Strings" and "Nodes". Strngs are characterized by their fine and elaborate strokes; while Nodes is less meticulous in detail but equally impeccable in its execution and finishes. As in the family strings, the polygons of nodes contain outlines in gray color, which highlights and separates the main figure from the white background; and consequently it appears a simpler but no less sophisticated work.

Solo exhibition held in November 2017.

"This artwork does not need frame and is ready to hang".

GUEST CURATOR CONCLUSIONS ABOUT NODOS SERIES.

In Nodes, Jaime Domínguez, paradoxically deploys a
hyperdimensional project, through painting, a traditionally two-dimensional medium. The polygons that first show represent the limiting contour, the boundary to another field of
color, are also the window, or the shadow, of these hyperdimensional figures, which charge volume from the color, the frames and lines that cross them, announcing a complexity of a greater space. Before the spectator, what starts being a flat space, with an attentive look, begins to unfold many dimensions, projecting various
conceptual depths, as well as physical.

The monochromatic and flat backgrounds in the paintings, place the observer in an abstract geometric plane, alien to material reality, but full of formal and dimentional possibilities. The paradox also intensifies, while the painting is full
of smooth colors and straight lines, in some cases almost technical, and that nevertheless, make up
a spatial and formal ambiguity. What would seem almost technical from the side of the eye, is
Inaprensible, a detailed look, reveals that the figures and the light, exist only instantaneously, only to give that presence to another stage of the same work.

Eventually these figures escape the plane of the painting and become pieces to the interior of the room, where the spatial limitations are compensated, by the movement, but above all for the operations and visual games that are possible,
blurring the boundaries between the immediate and the distant.

Guillermo Lopez I. D.

Keywords: interior design, polygon, architecture, geometric, minimalism, modern, nodes
Nodes is a project that contains two families "Strings" and "Nodes". Strngs are characterized by their fine and elaborate strokes; while Nodes is less meticulous in detail but equally impeccable in its execution and finishes. As in the family strings, the polygons of nodes contain outlines in gray color, which highlights and separates the main figure from the white background; and consequently it appears a simpler but no less sophisticated work.

Solo exhibition held in November 2017.

"This artwork does not need frame and is ready to hang".

GUEST CURATOR CONCLUSIONS ABOUT NODOS SERIES.

In Nodes, Jaime Domínguez, paradoxically deploys a
hyperdimensional project, through painting, a traditionally two-dimensional medium. The polygons that first show represent the limiting contour, the boundary to another field of
color, are also the window, or the shadow, of these hyperdimensional figures, which charge volume from the color, the frames and lines that cross them, announcing a complexity of a greater space. Before the spectator, what starts being a flat space, with an attentive look, begins to unfold many dimensions, projecting various
conceptual depths, as well as physical.

The monochromatic and flat backgrounds in the paintings, place the observer in an abstract geometric plane, alien to material reality, but full of formal and dimentional possibilities. The paradox also intensifies, while the painting is full
of smooth colors and straight lines, in some cases almost technical, and that nevertheless, make up
a spatial and formal ambiguity. What would seem almost technical from the side of the eye, is
Inaprensible, a detailed look, reveals that the figures and the light, exist only instantaneously, only to give that presence to another stage of the same work.

Eventually these figures escape the plane of the painting and become pieces to the interior of the room, where the spatial limitations are compensated, by the movement, but above all for the operations and visual games that are possible,
blurring the boundaries between the immediate and the distant.

Guillermo Lopez I. D.

Keywords: interior design, polygon, architecture, geometric, minimalism, modern, nodes
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NODE XIV

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NODE XIV Painting

Jaime Domínguez

Mexico

Painting, Acrylic on Wood

Size: 31.5 W x 35.4 H x 1.6 D in

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Featured in the Catalog

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Showed at the The Other Art Fair

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About The Artwork

Nodes is a project that contains two families "Strings" and "Nodes". Strngs are characterized by their fine and elaborate strokes; while Nodes is less meticulous in detail but equally impeccable in its execution and finishes. As in the family strings, the polygons of nodes contain outlines in gray color, which highlights and separates the main figure from the white background; and consequently it appears a simpler but no less sophisticated work. Solo exhibition held in November 2017. "This artwork does not need frame and is ready to hang". GUEST CURATOR CONCLUSIONS ABOUT NODOS SERIES. In Nodes, Jaime Domínguez, paradoxically deploys a hyperdimensional project, through painting, a traditionally two-dimensional medium. The polygons that first show represent the limiting contour, the boundary to another field of color, are also the window, or the shadow, of these hyperdimensional figures, which charge volume from the color, the frames and lines that cross them, announcing a complexity of a greater space. Before the spectator, what starts being a flat space, with an attentive look, begins to unfold many dimensions, projecting various conceptual depths, as well as physical. The monochromatic and flat backgrounds in the paintings, place the observer in an abstract geometric plane, alien to material reality, but full of formal and dimentional possibilities. The paradox also intensifies, while the painting is full of smooth colors and straight lines, in some cases almost technical, and that nevertheless, make up a spatial and formal ambiguity. What would seem almost technical from the side of the eye, is Inaprensible, a detailed look, reveals that the figures and the light, exist only instantaneously, only to give that presence to another stage of the same work. Eventually these figures escape the plane of the painting and become pieces to the interior of the room, where the spatial limitations are compensated, by the movement, but above all for the operations and visual games that are possible, blurring the boundaries between the immediate and the distant. Guillermo Lopez I. D. Keywords: interior design, polygon, architecture, geometric, minimalism, modern, nodes

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:31.5 W x 35.4 H x 1.6 D in

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I am an abstract artist passionate about mixing styles and experimentation. My work reflects the passion I have for indigenous arts, modern architecture and design in its various manifestations. Geometry is a concept that is always present in my work and although I define myself as a minimalist in recent times I have evolved towards a conceptual and experimental style more related to maximalism as a response to my latest series in which I reinterpret the tangible and intangible cultural heritage of my country Mexico especially its popular arts. Experimentation as part of my processes motivates me to create new things, that's why I think that after this series I would return to my minimalist line if necessary.

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, Los Angeles, Virtual

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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