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Nus, no 1 Painting
France
Painting, Acrylic on Paper
Size: 24 W x 32 H x 1 D in
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About The Artwork
This artwork by Pascale Simon masterfully blends the techniques of oil painting and pencil drawing to create compelling nude compositions. Drawing inspiration from her educational background at Penninghen, where repetition was key to mastering the human form, Pascale repeats several nude figures across the canvas, much like a mosaic. This repetition not only emphasizes the learning process but also highlights the unique variations and fluidity of the human body. Utilizing high-quality oil paints on specially treated paper, Pascale Simon explores the interaction between medium and message. The paper's absorbency enhances the depth of the oil, while the tactile texture invites closer inspection. Each stroke of the brush, paired with delicate pencil lines, adds intricate detail and softness, emphasizing the natural curves and contours of the figures. The artistic choice of oil on paper is particularly significant for Pascale Simon, who appreciates the way oil interacts with the fibrous texture of the paper, enriching the visual impact and adding a layer of intimacy to each piece. This method not only allows for vivid coloration and expressive movement but also captures the ephemeral beauty of the human form in its most vulnerable state.
Details & Dimensions
Painting:Acrylic on Paper
Original:One-of-a-kind Artwork
Size:24 W x 32 H x 1 D in
Frame:Brown
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
I have always painted, and I live from my painting. It is both my expression and my daily breath. My studio is a sanctuary where I recharge, a place of disorder because if I tidy up, I don't paint. I need to see my brushes; they are essential to my creation. I cherish the quotes from painters that adorn my space, like the one from Yo-Yo Mag: "A work only exists when it leaves the studio," a phrase that resonates deeply with me. My artistic style is based on drawing, the backbone of my practice, which I combine with the bold use of vibrant colors. After a period of scientific illustrations, my expatriation to Argentina and then China opened me up to large brushes and imposing canvases, allowing me to combine precise lines with broad strokes. I explore oil painting on wood, a technique that enriches my work by adding a sculptural dimension. Portraits fascinate me because each person is unique; in my work, it's not about representation but about capturing the essence of presence. I enjoy blending eras in my works, combining the old with the modern for a contrasting and powerful result. My inspirations come from everyday life, from human interactions to the colors and lights captured in my dreams; everything contributes to nourishing my artistic creativity.
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