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O Thus She Stood depicts five figures rising from face down crouch to stand up tall. The multiple figures are actually a single figure in the stages of being knocked to the ground and gathering herself to stand back up.

Physical, internal, eternal, and or societal peace is never static. O Thus She Stood depicts the constant movement toward the resurrection of peace. It demonstrates the rise and fall of peace, tranquility and non-violence through the movement of a singular female figure pushing herself up from the ground, rising to her feet, obtaining her balance, standing in grace and lifting herself as if she herself experiences resurrection.

The masking of the figure(s) allows anonymity and universality by detaching the viewer from real physical representation or recognition of the individual. The background is comprised of many planes divided. Chilled abstracted geometric shapes and shading demonstrate the energy, emotion, and intangibles of the peace making. A flat shadow grounds the progressive figures providing a realm of reality.

The composition of the life size figures and electric bursts of shading are such that the viewers’ eyes are drawn up from the bottom of the canvas to the top and down again further expressing the continuum of the peace process.
O Thus She Stood depicts five figures rising from face down crouch to stand up tall. The multiple figures are actually a single figure in the stages of being knocked to the ground and gathering herself to stand back up.

Physical, internal, eternal, and or societal peace is never static. O Thus She Stood depicts the constant movement toward the resurrection of peace. It demonstrates the rise and fall of peace, tranquility and non-violence through the movement of a singular female figure pushing herself up from the ground, rising to her feet, obtaining her balance, standing in grace and lifting herself as if she herself experiences resurrection.

The masking of the figure(s) allows anonymity and universality by detaching the viewer from real physical representation or recognition of the individual. The background is comprised of many planes divided. Chilled abstracted geometric shapes and shading demonstrate the energy, emotion, and intangibles of the peace making. A flat shadow grounds the progressive figures providing a realm of reality.

The composition of the life size figures and electric bursts of shading are such that the viewers’ eyes are drawn up from the bottom of the canvas to the top and down again further expressing the continuum of the peace process.
O Thus She Stood depicts five figures rising from face down crouch to stand up tall. The multiple figures are actually a single figure in the stages of being knocked to the ground and gathering herself to stand back up.

Physical, internal, eternal, and or societal peace is never static. O Thus She Stood depicts the constant movement toward the resurrection of peace. It demonstrates the rise and fall of peace, tranquility and non-violence through the movement of a singular female figure pushing herself up from the ground, rising to her feet, obtaining her balance, standing in grace and lifting herself as if she herself experiences resurrection.

The masking of the figure(s) allows anonymity and universality by detaching the viewer from real physical representation or recognition of the individual. The background is comprised of many planes divided. Chilled abstracted geometric shapes and shading demonstrate the energy, emotion, and intangibles of the peace making. A flat shadow grounds the progressive figures providing a realm of reality.

The composition of the life size figures and electric bursts of shading are such that the viewers’ eyes are drawn up from the bottom of the canvas to the top and down again further expressing the continuum of the peace process.
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O Thus She Stood Painting

Michele Utley Voigt

United States

Painting, Oil on Canvas

Size: 48 W x 72 H x 2 D in

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SOLD
Originally listed for $14,750
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398 Views
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About The Artwork

O Thus She Stood depicts five figures rising from face down crouch to stand up tall. The multiple figures are actually a single figure in the stages of being knocked to the ground and gathering herself to stand back up. Physical, internal, eternal, and or societal peace is never static. O Thus She Stood depicts the constant movement toward the resurrection of peace. It demonstrates the rise and fall of peace, tranquility and non-violence through the movement of a singular female figure pushing herself up from the ground, rising to her feet, obtaining her balance, standing in grace and lifting herself as if she herself experiences resurrection. The masking of the figure(s) allows anonymity and universality by detaching the viewer from real physical representation or recognition of the individual. The background is comprised of many planes divided. Chilled abstracted geometric shapes and shading demonstrate the energy, emotion, and intangibles of the peace making. A flat shadow grounds the progressive figures providing a realm of reality. The composition of the life size figures and electric bursts of shading are such that the viewers’ eyes are drawn up from the bottom of the canvas to the top and down again further expressing the continuum of the peace process.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 72 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I paint stories of the human experience. The soul of life is demonstrated in depictions of figures interacting within a realm of time, realities, and one another. I paint that that is seen and unseen. I depict the beauty that often exists after a tragedy. I express the plane of existence pictorially divided, fragmented, as the energy and emotion around each being and happening. Often this movement is abstract, and often it is literal. I create images from inside myself. I carry them and grow them within me until I paint. Most of my paintings are of women and their realities as they relate to the greater human experience. Since my early life, I have worked in oils and prefer my expressions to be shared in their radiance applied using master techniques. The cause for which I create is my acute foresight and sense of the interconnectedness of all elements and time. What is seen and not seen. Known and not known. Contemporaneous, interacting, and incessantly influencing one another in a continuum of the past, present, and future. The entirety exists concurrently. I render the human relationship with eternity. I convey the human experience; acts, thoughts, sentiments, and situations layered upon all those of the past. Giving that human existence as we experience it is bound to the continuum of time. My vision is the complex language of layering multiple imagery levels representing the complicated content of a consequence, condition, moment, notion, or incident. The dialogue I consign contains all elements past and present, their atmosphere, and the energy collectively interacting. My work foreshadows the continuum of the condition. I paint to deliver a vision that others have not seen.

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