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In these bigger pieces I love the freedom & visceral connection they bring. Still working from the plants that surround the studio space, it is in this contemplative place where progress is made, through the hours you discover, engage in the slight transformations/shifts in the interpretations of shapes by loosely drawing from the various structures of branches & foliage. There is a rhythm in drawing and painting, patterns that follow nature itself. May they be irregular or repetitive, it is the play on finding a balance between the pleasure of making satisfying repetitions, visual symmetry to the more impulsive, spontaneous marks. Like beats & breaks, the guttural tones, ancestral tunes that vibrate and then in the knowing of where to break the visual space. The flow that nature & art provide, meandering, branching, that discernible regularity that is so soothing exquisitely combined with instinctive irregularity, the uncontrived, the push, it is in finding the harmony in the contradictions, trusting the inherent fluency that is in everything. That deeply sits in nature and in us all. I will carry on enjoying this process and hope to portray the aliveness that is in everything, the quickening, that sweet spot.
In these bigger pieces I love the freedom & visceral connection they bring. Still working from the plants that surround the studio space, it is in this contemplative place where progress is made, through the hours you discover, engage in the slight transformations/shifts in the interpretations of shapes by loosely drawing from the various structures of branches & foliage. There is a rhythm in drawing and painting, patterns that follow nature itself. May they be irregular or repetitive, it is the play on finding a balance between the pleasure of making satisfying repetitions, visual symmetry to the more impulsive, spontaneous marks. Like beats & breaks, the guttural tones, ancestral tunes that vibrate and then in the knowing of where to break the visual space. The flow that nature & art provide, meandering, branching, that discernible regularity that is so soothing exquisitely combined with instinctive irregularity, the uncontrived, the push, it is in finding the harmony in the contradictions, trusting the inherent fluency that is in everything. That deeply sits in nature and in us all. I will carry on enjoying this process and hope to portray the aliveness that is in everything, the quickening, that sweet spot.
In these bigger pieces I love the freedom & visceral connection they bring. Still working from the plants that surround the studio space, it is in this contemplative place where progress is made, through the hours you discover, engage in the slight transformations/shifts in the interpretations of shapes by loosely drawing from the various structures of branches & foliage. There is a rhythm in drawing and painting, patterns that follow nature itself. May they be irregular or repetitive, it is the play on finding a balance between the pleasure of making satisfying repetitions, visual symmetry to the more impulsive, spontaneous marks. Like beats & breaks, the guttural tones, ancestral tunes that vibrate and then in the knowing of where to break the visual space. The flow that nature & art provide, meandering, branching, that discernible regularity that is so soothing exquisitely combined with instinctive irregularity, the uncontrived, the push, it is in finding the harmony in the contradictions, trusting the inherent fluency that is in everything. That deeply sits in nature and in us all. I will carry on enjoying this process and hope to portray the aliveness that is in everything, the quickening, that sweet spot.
In these bigger pieces I love the freedom & visceral connection they bring. Still working from the plants that surround the studio space, it is in this contemplative place where progress is made, through the hours you discover, engage in the slight transformations/shifts in the interpretations of shapes by loosely drawing from the various structures of branches & foliage. There is a rhythm in drawing and painting, patterns that follow nature itself. May they be irregular or repetitive, it is the play on finding a balance between the pleasure of making satisfying repetitions, visual symmetry to the more impulsive, spontaneous marks. Like beats & breaks, the guttural tones, ancestral tunes that vibrate and then in the knowing of where to break the visual space. The flow that nature & art provide, meandering, branching, that discernible regularity that is so soothing exquisitely combined with instinctive irregularity, the uncontrived, the push, it is in finding the harmony in the contradictions, trusting the inherent fluency that is in everything. That deeply sits in nature and in us all. I will carry on enjoying this process and hope to portray the aliveness that is in everything, the quickening, that sweet spot.
In these bigger pieces I love the freedom & visceral connection they bring. Still working from the plants that surround the studio space, it is in this contemplative place where progress is made, through the hours you discover, engage in the slight transformations/shifts in the interpretations of shapes by loosely drawing from the various structures of branches & foliage. There is a rhythm in drawing and painting, patterns that follow nature itself. May they be irregular or repetitive, it is the play on finding a balance between the pleasure of making satisfying repetitions, visual symmetry to the more impulsive, spontaneous marks. Like beats & breaks, the guttural tones, ancestral tunes that vibrate and then in the knowing of where to break the visual space. The flow that nature & art provide, meandering, branching, that discernible regularity that is so soothing exquisitely combined with instinctive irregularity, the uncontrived, the push, it is in finding the harmony in the contradictions, trusting the inherent fluency that is in everything. That deeply sits in nature and in us all. I will carry on enjoying this process and hope to portray the aliveness that is in everything, the quickening, that sweet spot.
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Olive branch Painting

Emma Archer

Italy

Painting, Watercolor on Paper

Size: 36.2 W x 59.1 H x 0 D in

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About The Artwork

In these bigger pieces I love the freedom & visceral connection they bring. Still working from the plants that surround the studio space, it is in this contemplative place where progress is made, through the hours you discover, engage in the slight transformations/shifts in the interpretations of shapes by loosely drawing from the various structures of branches & foliage. There is a rhythm in drawing and painting, patterns that follow nature itself. May they be irregular or repetitive, it is the play on finding a balance between the pleasure of making satisfying repetitions, visual symmetry to the more impulsive, spontaneous marks. Like beats & breaks, the guttural tones, ancestral tunes that vibrate and then in the knowing of where to break the visual space. The flow that nature & art provide, meandering, branching, that discernible regularity that is so soothing exquisitely combined with instinctive irregularity, the uncontrived, the push, it is in finding the harmony in the contradictions, trusting the inherent fluency that is in everything. That deeply sits in nature and in us all. I will carry on enjoying this process and hope to portray the aliveness that is in everything, the quickening, that sweet spot.

Details & Dimensions

Painting:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:36.2 W x 59.1 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Emma is a British artist originally from Birmingham and currently living and working from her studio in Italy. After graduating from Liverpool John Moores University with a Bachelor of Fine Arts Emma worked in Birmingham for ten years. There she produced works in her studio, exhibited and worked on commissions. Simultaneously she also worked for galleries and managed one of Britain's largest commercial art galleries outside of London. She also worked for design companies, PR agencies and creative organisations. At this time her works were urban, city inspired landscapes & skylines. Emma has always been inspired by travel and culture which led her to travels around the world and a final big move to her childhood passion of Italy. Emma in the last eight years has personally restored a ruined stone farm house with traditional materials and set up her artist studio. The house is set in a few hectares of land that Emma works on and inspires her current work Constantly being surrounded by nature, this environment has determined a shift in content, her works now are centred around floral, botanical influences with acrylic and watercolour pieces on paper and canvas.

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