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Orthodox Easter Painting

Deyko Alugishvili

Georgia

Painting, monotype on Paper

Size: 27.6 W x 23.6 H x 0 D in

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410 Views
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About The Artwork

Easter is the main Holiday for Georgian Orthodox Church and people, which starts one day earlier by praying in Churches and lasts the whole night until the fire comes from Jerusalem, which is unbelievable miracle even in this century, this is very emotional day for each Georgian and it wasn't a big surprise i wanted to draw... i started to transfer all my feelings on a paper with great pleasure and love and hope i did it well

Details & Dimensions

Painting:monotype on Paper

Original:One-of-a-kind Artwork

Size:27.6 W x 23.6 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Old Coin A human being is mostly surrounded by objects. Unseen existence of these objects is stuck hard in our everyday life. Here, these are invisible supports, pillars of our body; body-projection continuations of our own body. Natural and necessary extensions… And just through these body-projections we master the nearby space. We master it; we make it our abode… Meanwhile, accustomed to usual “routes”, we seem not to notice the world of objects; the world, which keeps losing hopelessly its sustainability… the world, unanswerably turned into an abode… Through unexpectedly appeared lights we are getting back the reality; the reality, as a cut coin…the coin hopelessly lost or thrown away… It seems such is “monetary (coin) policy” of aesthesis! I think Deylo Alughishvili is in search of such “coin”; is looking for it and then makes it return into the lyrical narrative of her charming graphic opuses… She again changes its “aesthetic-purchasing” value and generates the interest of its own ego herself; unexpected and renewed interest in, at the first site, time-lost visual thematic… Later, this interest is replaced by awareness; by the joy of awareness; by joy and nostalgia… Young artist herself becomes aware of her own vision; the vision, which carefully keeps some jeopardy; some latent unrest, anxiety… And this jeopardy or anxiety, if you wish, anxious expectation appears in the narrative of each following opus. Technique of monotype gives her a possibility to get hold of unison of color and contour; to specify the image stage by stage… to show us the image, which disappeared in colorful tonal gamma; Or, as great Georgian Artist, David Kakabadze would say – imaginativeness… and so that to preserve in this “imaginativeness” the proportionality of a sign and a hint, of a cultural code and painted lexical code; the proportionality, as a synthesis of technological-modeling action and anticipated aesthetical re-action… and, generally, the proportionality, as a phenomenological givens of aesthetic object.

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