view additional image 1
View in a Room ArtworkView in a Room Background
view additional image 3
view additional image 4
view additional image 5
view additional image 6
218 Views
2

VIEW IN MY ROOM

Otsu Painting

Philip Leister

Painting, Paint Pen on Canvas

Size: 10 W x 30 H x 0 D in

Ships in a Box

info-circle
$500

check Shipping included

check 14-day satisfaction guarantee

info-circle
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
218 Views
2

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Miyamoto Musashi (宮本武蔵) (released in the United States as Samurai I: Musashi Miyamoto) is a 1954 Japanese film by Hiroshi Inagaki starring Toshiro Mifune. Shot in Eastmancolor, it is the first film of Inagaki's Samurai Trilogy of historical adventures. The film is adapted from Eiji Yoshikawa's novel Musashi, originally released as a serial in the Japanese newspaper Asahi Shimbun, between 1935 and 1939. The novel is loosely based on the life of the famous Japanese swordsman Miyamoto Musashi. The film was followed by Samurai II: Duel at Ichijoji Temple (1955) and Samurai III: Duel at Ganryu Island (1956). The film won a Special/Honorary Award at the 1955 Academy Awards for outstanding foreign language film. Plot (Spolier Alert): Following the battle of Sekigahara, Takezo (Toshiro Mifune) and his friend Matahachi (Rentarō Mikuni) find themselves on the losing side. Instead of the grand victory and glory Takezo had anticipated, he finds himself a hunted fugitive, having to assist a severely injured Matahachi. The pair seek shelter with a widow and her daughter who unknown to them are connected to local brigands. The brigands soon show up and ask for tribute from what the women have stripped off dead samurai, and Takezo has to fight them off. Both women attempt to seduce Takezo but are rejected. The widow then tells Matahachi that Takezo tried to assault her and convinces him to escort her and her daughter to Kyoto. Matahachi agrees even though he loves (and is betrothed to) Otsu (Kaoru Yachigusa), a woman from his village. Takezo thinks his friend Matahachi has deserted him, and he makes his way home - on the way breaking through a roadblock, injuring several of the local lord's men manning it - and returns to his village. He tells Matahachi's family that he is still alive but will not reveal why Matahachi has not returned. Matahachi's mother does not believe him, and sets a trap for his capture, but he escapes and she is arrested for treason along with many members of her clan. There is a village-wide search for Takezo, organized by the lord. Even after using his relatives as bait, the villagers cannot catch Takezo. Otsu, meanwhile, gets a letter signed by the widow's daughter saying that Matahachi has gone off with her and to forget him, which leaves her devastated. Matahachi's mother, however, continues to insist that Otsu is her daughter-in-law and must live with her. Takezo is finally captured by the Buddhist priest Takuan Sōhō, who tells the lord that he must be allowed to use his own methods to control him. The priest believes that he can straighten Takezo out, but Takezo again escapes with Otsu's help. Otsu now understands that Takezo was trying to shield her from the knowledge that Matahachi had abandoned her, and begs him to let her travel with him. They flee together but are soon tracked down. Otsu is captured, but Takezo fights his way out. Takezo learns that Otsu has been taken to Himeji Castle and breaks in to rescue her, but is once more tracked down by the priest Takuan. He is tricked and locked in a room in the castle for three years, while Otsu waits for him in a hiding place chosen by Takuan. The end of the film shows Takezo being released and granted his samurai name 'Musashi Miyamoto.' He then leaves to search for enlightenment, leaving two messages for Otsu: "Soon I will be back" and "Forgive me.” Toshiro Mifune (三船敏郎, Mifune Toshirō, April 1, 1920 – December 24, 1997) was a Japanese actor who appeared in over 150 feature films. He is best known for his 16-film collaboration (1948–1965) with Akira Kurosawa in such works as Rashomon, Seven Samurai, The Hidden Fortress, Throne of Blood, and Yojimbo. He also portrayed Miyamoto Musashi in Hiroshi Inagaki's Samurai Trilogy and one earlier Inagaki film, Lord Toranaga in the NBC television miniseries Shōgun, and Admiral Isoroku Yamamoto in three different films. Kaoru Yachigusa (八千草 薫, Yachigusa Kaoru, January 6, 1931 – October 24, 2019) was a Japanese actress from Osaka Prefecture. From 1947 to 1957 she was a member of the Takarazuka Revue. Since leaving the Revue, she was active in film, television, and narration. She famously quit part way through the filming of the television series Akai Giwaku outraged at being forced to work at times dictated by idol Momoe Yamaguchi's schedule. Her husband, director Senkichi Taniguchi, died on October 29, 2007 in Tokyo, Japan. The couple had been married since 1957. Yachigusa died on October 24, 2019 at a Tokyo hospital from pancreatic cancer, aged 88. Source: Wikipedia

Details & Dimensions

Painting:Paint Pen on Canvas

Original:One-of-a-kind Artwork

Size:10 W x 30 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support