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Painting, Acrylic on Paper
Size: 29 W x 51 H x 0.1 D in
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321 Views
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Artist featured in a collection
I don't use brush. Instead I use a bunch of grass, knives, picks as a brush. I also use my fingers, my hands, and my arms. I enjoy the rough strokes that they create. This is painted on the thickest Watson paper which is made in Japan. The paper got rough surface, and cream color.
Acrylic on Paper
One-of-a-kind Artwork
29 W x 51 H x 0.1 D in
Not Framed
Not applicable
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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Japan.
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One day, when I was 8, I had to draw my mom as a homework assignment. After painting my mom's face. I worked on the background, adding bright red. Strangely, my mom's face looked like it shrank as I changed the background. I was shocked to see how colors change what we perceive in our minds and with our eyes. That was when I decided to become an artist. I worked on sketches, pencil drawings, and design all day from morning to night, and sometimes even in my dreams in order to enter an art college. i was able to enter art school in Tokyo, majoring in textile design, and stayed in Tokyo after college to work as a graphic designer. After 8 years of this hectic lifestyle, I felt like I was totally lost. I knew I needed to change everything right then. I chose to leave Japan, and went to Los Angeles, California, and then, to Eugene, Oregon, to work on my art and my life. I worked for a clay artist, and went to the University of Oregon to study more about art, design and English. Then, I worked at a design office as a graphic designer, and another company as a web designer. Now, I know what I was looking for when I was doing that. I was looking for the answer these questions. “What’s my relationship with design? What’s my relationship with art?” I was frustrated that I couldn’t get any answers. I began to think, “If there is a God of art, they must hate me! Fine! I hate them too!” I suffered through a year in which I could not create anything. I deeply realized I just have to keep creating art, otherwise I will be dead, even if the God of art hates me. In 2007, when I was working as a graphic designer, one of my clients misordered and gave me an illustration job, not a graphic design job. But, for some reason, I decided to take that job. That illustration job reminded me of the homework when I drew my mom back in elementary school. I felt like I finally found the answer that I was looking for the whole time! This is when I really started to be an illustrator and artist. After 9 years of living in America, I returned to Japan in 2008. In 2014, I opened an office/ workshop in a little port town in Fukuoka with people who work on town development and planning. I started to consider art from a social point of view. That was also a big turning point for me. In 2017, I started to take story classes with professor Minoru Meguro, learning the art of poetry and literature. I started to develop a broader love for the existence of art.
Artist featured by Saatchi Art in a collection
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