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Persephone — Impression of Kim Bok-Dong Painting

Amanta Scott

Canada

Painting, Encaustic on Canvas

Size: 36 W x 36 H x 2 D in

This artwork is not for sale.
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About The Artwork

This work is from my installation Eyeing Medusa, encompassing encaustic paintings of outstanding women paralleled with ancient archetypes, videos and workshops. “When I started, the Japanese military would often beat me because I wasn't submissive, there are no words to describe my suffering. Even now. I can't live without medicine. I'm always in pain.” — Kim Bok-dong As a young Korean girl, Kim Bok-dong was taken to work as a sex slave, aka “comfort woman”, by the Japanese Military and held for eight years before, during and after WWII. Kim was one of approximately 200,000 women and girls forced into sexual slavery by the Japanese. Kim Bok-dong fought until her dying day for a formal apology from the Japanese, an apology she never received. In Greek mythology, Persephone was a young maiden who was abducted by Hades and forced to become his wife in the Underworld. Learn More: www.amantascott.com/persephone-kim-bok-dong

Details & Dimensions

Painting:Encaustic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 36 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Through encaustic paintings, interactive sculptures, audio/video installations and workshops, I address urgent contemporary social issues. Core to my practice is connecting art with communities— inspiring people of diverse cultures, ages and walks of life to engage with art, share stories, and consider how it relates to their lives. Canadian-born, I come from over ten generations of human rights activists, philosophers, rabbis, artists and refugees. Uniting us all is the Jewish concept of Tikkun Olam: each individual’s responsibility to repair the world. Encaustic painting, practiced by Greek artists since 400 B.C, evolves through successive layers of molten beeswax, each fused to the previous one with a torch or iron. An active partner in my process, beeswax asserts itself texturally and sculpturally as I paint, layer, fuse, scrape, and re-work. This medium also embodies the multiple layers of meaning in my work. Drawing inspiration from personal experiences, psychology and mythology, particularly stories of archetypal females, I honour women’s strength and wisdom in the face of adversity. My work celebrates visionary contemporary women of all ages, orientations, cultures and walks of life making a difference in our world today. Each painting’s title and story parallels a legendary heroine with a contemporary woman. By fusing the past with the present, I invite viewers to look at women in a new light, as a means to illuminate and address urgent contemporary social issues. I paint faces, recognizable yet abstracted, closeup so the viewer can look into their eyes without distractions and feel what remarkable people they are. In this way, I challenge traditional representations of women in art which normalize objectification and violence against women. Through dialogue, reflection and the power of art, I aim to inspire, provoke change, dismantle harmful narratives, and contribute to a more equitable society.

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