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Retro style lady Painting

Alice Tournikioti

Greece

Painting, Oil on Canvas

Size: 39.4 W x 70.9 H x 2 D in

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127 Views
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About The Artwork

Set against a black-and-white background with flat, geometrical volumes and minimal floral patterns, the “Retro style lady” is a charming, lively image of a posing model in a stylish dress and adorned with an impressive necklace. The wine glasses on the left set the mood for a festive occasion. With marked, curvy black outlines and the golden brown colour rendering the flesh, the woman obtains an earthly aura, bringing to mind the forms of the red-figure vase painting of ancient Greece. Despite her elegance and the refined atmosphere of her setting, this woman is still made of fire and earth. The simplification of forms is close to Cubism, but the bold choice of colour for the body is completely idiosyncratic of Alice’s idiom.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 70.9 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Alice Tournikioti has presented her works in Greece (Athens, Mykonos, Santorini, Zakynthos, Nafplio, Kalamata, Thessaloniki, Hydra), Europe (Geneva, Cyprus, Madrid, Berlin, Florence, Rome), Turkey (Istanbul), Asia (Tokyo) and America (New York). Her works are also in the collections of the National Bank, the Bank of Greece, Alpha Bank, Commercial Bank, Eurobank as well as the Vorre Museum and the National Gallery in Rhodes, and also in many private collections. The viewer studies and penetrates the realities that the painter shows, as her subjects are distinguished by a deep nostalgia and a sensual exoticism, while at the same time they dispose of sincerity and the appearance of truth, without ever focusing of the specific. Alice paints with deep sincerity and creative liberty, depicting figures and their environment through what feels like automatic writing. She draws in paint and colors with drawing, at the moment when space gives birth to the figures and these determine its self signifiers. Her unforced brush strokes, full of light and colour, power and sensitivity, boldness and imposition, liquidity and speed, thickness and in other places transparency, transers us to a blooming climate, there where everything is over and beginning again, on the slopes of frgetfulness and in the expanses of gazing. Alice’s figures, at times solitary and others surrounded, convey the loving relationship, the reconciliation of contrasts and comradeship. They also convey their optimism and desire for life, to us, through an “nnocence” of her look, outflanking the dead ends with revolutions.

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