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Painting, Ink on Canvas
Size: 33 W x 22 H x 2 D in
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This painting belongs to the Series of “Virgins in Heaven“ is inspired by stories that artist was recited to during her childhood. Rihana #1 can be a great match with Rihana #2. Please discuss further discount with Saatchi assosiation if you are intrested to make a diptych image with your collection. ******** My father had an old aunt, named Fatemeh. Aunt Fatemeh was pretty, very social, kind and religious. Once a month, she used to land in our house, without any invitation or prior notice, to spend 3-4 days with us. And we welcomed her warmly. We had a sign code that said “ Aunt Fatemeh, the parachuter just landed “ to alert the rest of the family about her arrival. Even though she was an in-law relative, our mom really loved her because, as our mom would say, she was a very clean lady and always brought positive energy. We, the kids, loved her as well. She was a great storyteller. She prayed five times a day and after each one she would asked us if we would like to listen to a new story? Our answer was always: “Yes“ Then she would tell us stories from the Holy Quran. She loved to hold our hands and make sure we were sitting down, calm and relaxed. Occasionally, she would make a direct eye contact with us to gauge if we were still interested in hearing the rest of the story. I was fascinated with the images of “Heaven” she portrayed for us, with the river of honey, the nude gorgeous virgin angels, and the incridable tropical paradise. This afterlife, she told us was waiting for the “good people” to enjoy to infinity in a beautiful heaven with no limits or boundaries. Fortunately, she never tried to force us into praying. She was only happy to have us around herself so she could tell us her stories.
2020
Ink on Canvas
One-of-a-kind Artwork
33 W x 22 H x 2 D in
Not Framed
Yes
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Human body and its movements are the most intricate, sophisticated structures our eyes are exposed to. The fluidness and continuity of human movements along with the shapes the body takes during these movements, create a picture in our eyes full of smooth curves musically related to each other. This is what I try to capture in my work blending the body and its motions with music I hear and the rapture I feel in my mind . "Family Dreams" Project's statement : Today’s society is a conglomeration of children of yesterday. The children who witness the interactions and relations between their parents and other family members. The child’s memory is full of colors juxtaposing patterns shaped by the surrounding characters and deformed by their personalities. Reminiscing those memories bring tears to her eyes instead of smiles to her face. She finds her soul crushing under the pressure of pain, watching her mother’s detestable and odious treatment of her father. She sees her father desperately trying to bond the family together and to prevent its disintegration while the mother is ripping it apart with her unbearable sorrow, extreme anxieties, and hate. The mother’s shape is warped and distorted. The father is a collection of soft curves that do not belong to their rightful place and seem scattered and disoriented. The rest of the family fills gaps of the palette wherever the mother leaves them spaces to be and to breathe. And mother’s agitations force the children to swarm to any gaps they find in the palette where they can find some peace. Today, these children have grown to be adults. They see themselves as the harvest of what was sown years ago by those who touched their life. Recognizing the edicts of color and form, they try to portray on every palette, the story of a day of life, more sad than happy, long gone but still fresh in their mid and soul.
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