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"Rooted" Painting

→ Eva Genoveva, Germany

Painting, Fabric on Canvas

9.4 W x 11.8 H in

Ready to Hang

$1,141

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Eerie and bizarre roots of a beech tree in Kiental near Andechs, Bavaria. Painted on linen-covered beechwood die board. Egg tempera underpainting finished with oil glazes. Material-wise fit for eternity. The painting doesn`t need to be framed - it can simply be hanged on the wall by two already fixe...

Year Created:

2013

Subject:

Styles:

Mediums:

Painting, Fabric on Canvas

Rarity:

One-of-a-kind Artwork

Size:

9.4 W x 11.8 H x 2 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Eva Genoveva

About the Artist

Eva Genoveva

Germany

Eva Genoveva is a German figurative painter who has lived and worked in Munich as a freelance artist since 2010. Her works are held in private collections in Germany and abroad and have been publicly shown by institutions including Rouka Gallery, Bayerische Landesbank and the Bavarian Department of the Environment.

Her work explores female identity and the tension between outward roles and inner reality. Fragmentation, masking, confinement and isolation recur throughout her paintings, as do the ambiguities of exposure and concealment, submission and resistance. Her figures often inhabit psychologically charged situations that remain deliberately unresolved: vulnerability may coexist with self-possession, intimacy with estrangement, beauty with unease.

Genoveva works primarily in egg and casein tempera combined with oil on traditionally prepared wooden panels. Her practice is rooted in historical painting techniques: she prepares her own grounds and paints in successive layers, using tempera, imprimatura and oil glazes to build luminosity and depth. This deliberately slow process contrasts with the contemporary psychological character of her subjects.

Formally, her paintings combine precise figurative observation with selective distortion, fragmentation and areas of deliberate painterly roughness. Historical references – particularly the visual language of the 1920s to 1940s and echoes of Neue Sachlichkeit – coexist with an unmistakably contemporary perspective. Rather than constructing narratives with fixed meanings, Genoveva uses the human figure as a site of ambiguity, allowing seemingly contradictory readings to remain present at the same time.

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