SUPERSTITION AS DOGMA OF THE CEREAL GOD. Painting

From the classical tradition in painting the theme of the crowning of thorns, a green-skinned Jesus Christ who alludes to Osiris, seated on an Egyptian throne with the goddess Sekhmet and the eye of Horus, is executed by two Roman legionaries carrying the Spear of Longinos. Although the drawing is of academic rigor or classicist, the use of the color is fauvism. According to archaeological and historical research, the Apostle Paul of Tarsus amalgamated the Egyptian cults with the Christian Gospels to give them power of convocation during their stay in Rome.There is a proven thesis that it was the Emperor Constantine who invented Christianity EXAMPLE OF HISTORICAL FABULATION FROM ONE OF THE PAINTINGS OF THE PROJECT: SUPERSTITION AS DOGMA OF THE CEREAL GOD. Surely the spear of Longinos guarded in the treasury of the Austrian royal house, never pierced the side of Christ, nevertheless this object happened of hand in hand throughout history, being the amulet of powerful emperors, monarchs and kings of Europe . The spear thus acquired a property of religious magical fetish, such as the ark of the covenant, the sword excalibur or the holy grail of the last supper, all fetish objects of the sacred myths of the western Christian imaginary. As was the end of the nineteenth century in Europe, a period of drastic and traumatic changes (the industrial revolution, the rise of the working class, the rise of science), at that time the European elites had as main entertainment the occult and The secret societies, to the point of being intimately linked with important artistic movements such as the so-called Symbolism. Symbolism was the germ of the artistic avant-gardes of the twentieth century (Surrealism, the first abstract art and anti-naturalistic use of color in painting). Secret societies and occult sects proliferated throughout Europe and played an important role in the development of the ideology of National Socialism, the nefarious political party that provoked the Second World War. The Rosa croix in Paris led by J. Peladan protector of the most important Symbolist painters like Jean Delville, F. Khnopff, Emile Fabry etc, the Vienna Secession with its building designed by José Maria Olbrich his magazine VER SACRUM with Gustav Klimt as president , An official painter Vienes converted to Symbolism and who for this paid the high price of the scandal in the Austrian society of the time, the famous commission for the faculties of Jurisprudence, Medicine and Philosophy. The English pre-Raphaelites had already been precursors of these tendencies towards the mythical of romantic character. The Thule sect of Munich the germ from which came the leaders of the III Reich, Rudolph Hess, Adolf Hitler and Alfred Rosemberg; But that a political party was a religious fanatic sect. The origin of evil must be sought in the political ineptitude of Kaiser Wilhelm before the first great war, the Kaiser was forced to solve through an agrarian reform the crisis brought about by the newly born industry social inequality In exchange for that reform, he adopted as a dogma of faith for his people, the occult and racist esotericism provided by the Englishman Houston Stewart Chamberlain. In this climate of romantic fanaticism by the Wagnerian sagas, Hitler when acceding to the power, was made with the spear of Longinos, believing in its magical powers. It is necessary to emphasize here the incoherence, first scientific, to give credence to a fetish due to the climate of the epoch (the occult fashion) and a second incoherence of ideological type, being Jewish Christ, the people victim of the vagaries of barbarism, As were the Mesoamerican peoples for very similar reasons.

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:46.9 W x 65.7 H x 1.1 D in

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