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SENSUALITY1: Pain and Pleasure Painting

O Yemi Tubi

United Kingdom

Painting, Oil on Canvas

Size: 18 W x 24 H x 1 D in

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About The Artwork

“They have become callous and have given themselves up to sensuality, greedy to practice every kind of impurity.” Ephesians 4:19 Women body are beautiful and commonly been used on western medias to sell any product; partially clothed or with no clothes at all and in Middle East women are forbidden to show too much of their body in public. Ironically Belly dance, which is a form of an entertainment for men in the Middle East with women partially dressed dance erotically for men’s pleasure. Sexual abuses against women are even more common in the Middle East than in the West. In recent years, news about sexual abuse against women was so common. From the western world to the Far East, women have been subjected to horrific sexual abuse. Men of depraved minds from all classes from Presidents to law makers, rich and poor have been accused of indulging in molestation of women. This is what influenced this painting – SENSUALITY1. O. Yemi uses Roses and thorns to illustrate pain and pleasure of sensuality in which rose is for pleasure and thorns are the pains of sexual abuse. O. Yemi uses Rose for head and rose bulbs for the breasts of the figure. Steams of thorns are creatively woven together to form the figure of a woman seated wearing red-laced under pant and red high-hilled shoes.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:18 W x 24 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

O. Yemi Tubi - An Artist and Advocate for the world’s Peace. I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists. “A work of art which did not begin in emotion is not art” so said Paul Cezanne; I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine. I desire my portrait paintings to be uniquely creative. I do not copy images from pictures. I create what the camera cannot create. I use portrait paintings to tell the stories about my subjects and often use my subjects’ professions to create their portraits as I did with the portrait of Professor Wole Soyinka, 1986 Nobel Prize Winner in Literature in my painting “SOYINKA: An Africans’ Literary Icon”, I used artist materials to create my painting “PORTRAIT OF AN ARTIST” and I used the violin to create the face of my subject in the “THE VIOLINIST” My works progress from political paintings to paintings of the facts of the life of people. The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use Roses and Thorns for portrait paintings of the facts of the life of people. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.

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