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Sex Beat Covers Painting

Wade Johnston

United States

Painting, Acrylic on Wood

Size: 20 W x 20 H x 0.7 D in

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$1,600

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About The Artwork

Each image is a digital collage that is printed on archival paper and and mounted to a cradled wood panel with acid free adhesive and sealed with acrylic varnish. 18x18 inches. Signed in ink on the back with a certificate of authenticity. The paintings are acrylic and mixed media on cradled birch panels 18x18 and 16x20 sealed with acrylic varnish. 18x18 inches. Signed in ink on the back with a certificate of authenticity. The images are constructed from hand drawn and painted elements that have been scanned and layered with vintage illustrations, drawn and painted elements, photographs, typography, and scanned found objects. The works are based on "Men's Pulp Magazine" covers from the 1950s,60s, and 70s. The primary headline is a lift from the title, and the sub text is an assemblage of multiple article headlines that have been rearranged to reinforce the absurdity of what could be called the original "click bait" from magazine racks and check out aisles from grocery and drug stores. The magazine titles, imagery, and headlines of the originals were sensational, and the digital collages try to push that sensationalism to a level that is even more absurd, while questioning the original underlying message of the sources.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:20 W x 20 H x 0.7 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have been drawn to art my entire life. Some of my earliest memories are those spent on the living room floor drawing for hours on end or painting with watercolor paints in my mother’s studio. Yes she was an artist and always encouraged me to follow my passions in art, graphic design, photography, sculpture and other creative endeavors. I have been working professionally for more than 40 years in the graphic design industry, but art has always been my first love. Actually, that is a falsehood. Anything visually creative has always been my first love. Even during a three year attempt at becoming a mechanical engineer I was constantly painting, drawing, photographing, documenting. In the early 1980’s I thought I wanted to become an engineer and embarked on a four year degree program only to realize at one semester shy of graduating it wasn’t for me. Oh the folly of youth. In 1986 I dropped out of college and took two years off, spending time on the west coast, traveling, creating and trying to figure out what I wanted to do with my life. Since I was sixteen years old I had been working in the graphic design industry doing everything from paste up to stat camera operations. I had a talent for layout, typography, color, and illustration. So as I tried to sort my early twenties out I continued to work in that field and it eventually became a career for me that has lasted into my early sixties. Along the way, I decided to go back to college earning a bachelors degree in fine arts at the University of Kansas, and later a masters in Design Communications from Pratt. Working in the graphic design industry in the late 1980s and early 1990s was a pivotal time for me. The transition from analog tools and techniques to digital was in full swing. I find myself blessed to have come into the arts during this time. The old school craft ways helped me hone my ability to draw, paint and think about visual design and visual arts, while the computer opened a whole new world for me. Today I still draw, paint, and take photos on a daily basis, but I am truly a digital artist now. All of my finished work is touched by the computer at some point, even if it going to be printed an manipulated at another stage. Recently I have begun a series of digital collages influenced by artists like Joseph Cornell, Hannah Hoch, Kurt Schwitters, John Baldessari, as well as other notables form the 1960s and 70s like Robert Rauschenberg, Jasper Johns, and others.

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