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Signed, Sealed, Delivered Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 80 W x 40 H x 1.5 D in

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$2,500

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Oh yeah, baby Like a fool, I went and stayed too long Now, I'm wondering if your love's still strong Ooh baby, here I am Signed, sealed, delivered, I'm yours Then that time I went and said goodbye Now, I'm back and not ashamed to cry Ooh baby, here I am Signed, sealed, delivered, I'm yours Here I am, baby You got my future in your hands Here I am, baby You got my future in your hands I've done a lot of foolish things That I really didn't mean, yeah, yeah, didn't I? Oh baby, seen a lot of things in this old world When I touch them, they mean nothing, girl Ooh baby, here I am Signed, sealed, delivered, I'm yours, I'm yours Oowee baby, you set my soul on fire That's why I know you're my heart's only desire Ooo baby, here I am Signed, sealed, delivered, I'm yours Here I am, baby You got my future in your hands, baby Here I am, baby You got my future in your hands, baby Yeah, I've done a lot of foolish things That I really didn't mean I could be a broken man But here I am Watch out with my future babe Here I am, baby Here I am, baby, get it Signed, sealed, delivered, I'm yours Ooh baby Here I am, baby Signed, sealed, delivered, I'm yours Here I am, baby Signed, sealed, delivered, I'm yours ‘Signed, Sealed, Delivered (I’m Yours)’ by Stevie Wonder Songwriters: Garrett Lee / Wonder Stevie / Wright Syreeta / Hardaway Lula Mae "Signed, Sealed, Delivered (I'm Yours)" is a soul song, by American musician Stevie Wonder, released in June 1970 as a single on Motown's Tamla label. It spent six weeks at number one on the U.S. R&B chart and peaked at number three on the U.S. Pop chart. In the same year, the song was also released on the album Signed, Sealed & Delivered. The song was arranged by Paul Riser and featured a distinctive "sitar-guitar" in the introduction. The song was a series of firsts for the 20-year-old Wonder: "Signed, Sealed, Delivered (I'm Yours)" was the first single Wonder produced on his own, and was also the first to feature his female backup singing group composed of Lynda Tucker Laurence (who went on to become a member of The Supremes), Syreeta Wright (who also co-wrote the song), and Venetta Fields. The song also gave Wonder his sixth Grammy nomination, with the award that year going to the Clarence Carter song "Patches". Cash Box stated that the song is "polished and powerful enough to maintain an adult market power as well pointing toward giant sales.” It is ranked number 203 on Rolling Stone's list of The 500 Greatest Songs of All Time. 
 
 Stevland Hardaway Morris (born May 13, 1950), known professionally as Stevie Wonder, is an American singer, songwriter, musician and record producer. Wonder is credited as a pioneer and influence by musicians across a range of genres that includes rhythm and blues, pop, soul, gospel, funk, and jazz. A virtual one-man band, his use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of R&B. He also helped drive the genre into the album era, crafting his LPs as cohesive, consistent socially conscious statements with complex compositions. Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. In 1963, the single "Fingertips" was a number-one hit on the Billboard Hot 100 when Wonder was 13, making him the youngest artist ever to top the chart. Wonder's critical success was at its peak in the 1970s. His "classic period" began in 1972 with the releases of Music of My Mind and Talking Book, the latter featuring "Superstition", which is one of the most distinctive and famous examples of the sound of the Hohner Clavinet keyboard. His works Innervisions (1973), Fulfillingness' First Finale (1974) and Songs in the Key of Life (1976) all won the Grammy Award for Album of the Year, making him the tied-record holder for the most Album of the Year wins, with three. He is also the only artist to have won the award with three consecutive album releases. His "classic period", which culminated in 1976, was marked by his funky keyboard style, personal control of production, and use of integrated series of songs to make concept albums. In 1979, Wonder used Computer Music Inc.'s early music sampler, the Melodian, on his soundtrack album Stevie Wonder's Journey Through "The Secret Life of Plants". This was his first digital recording and one of the earliest popular albums to use the technology, which Wonder used for all subsequent recordings. Wonder is one of the world's best-selling musicians, with sales of over 100 million records worldwide. He has won 25 Grammy Awards (the most by a solo artist) and one Academy Award (Best Original Song, for the 1984 film The Woman in Red). Wonder has been inducted into the Rhythm and Blues Music Hall of Fame, Rock and Roll Hall of Fame and Songwriters Hall of Fame. He is also noted for his work as an activist for political causes, including his 1980 campaign to make Martin Luther King Jr.'s birthday a federal holiday in the U.S. In 2009, he was named a United Nations Messenger of Peace, and in 2014, he was honored with the Presidential Medal of Freedom. 
 Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:80 W x 40 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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