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Signs VIII Painting

Francis Reynolds

United Kingdom

Painting, Oil on Wood

Size: 7.9 W x 11 H x 0.2 D in

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$427USD

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About The Artwork

The signs in this series of paintings may connote to multiple and various cultural conventions; the inverted triangle can be read as female, the chalice and earth - with the line running across the top representing air; mother earth and our place of origin and habitation. The circle has multiple connotations yet infinite, life-cycle, regeneration and recycle being but a few. The entangling of them, together with placement and deconstruction of the figure, attempts to highlight and create narratives that allude to aspects of the human condition. These aspects may be overlooked, obscured and/or hidden yet painted and created to represent part of our existence and nuances as humans.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:7.9 W x 11 H x 0.2 D in

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Francis Reynolds is a British Artist who lives and works in Cambridgeshire, England. He returned to education as a mature student in 2007 to study Fine Art. Reynolds graduated with a Fine Art BA at Loughborough University in 2012. Since graduating, Francis started a family yet still achieves regular exhibitions nationally together with instructing Art students at a local academy. His paintings are held in Private collections throughout the UK and internationally. Reynolds’ practice can be seen to be quite destructive in as far as process. However, it can be said that the passive/ aggressive nature of the paintings lends themselves to the very nature of the human condition. Reynolds’ outcomes strive to question and reinvigorate the subject; its historical and contemporary context. Together with consolidating ideas of deconstruction; an act of taking apart and rebuilding. This may also highlight the deconstruction of conventions and what is expected from representational painting. The body of work can be seen to emphasise process by exaggerating the application and meticulous methodology through thin layers of paint and blocks of colour. This functions as a way of viewing what was there from past layers, and where decisions in the reconstruction of form were made.

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