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"Sometimes I say fine instead of okay" Painting

Lucia Jones

United Kingdom

Painting, Oil on Calico

Size: 15.7 W x 15.7 H x 1 D in

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ABOUT THE ARTWORK

Jones' work explores the materiality of paint in relation to memory, primarily utilising cinematic source imagery of 90s romantic comedies and cult classics as a means to address the intangible nature of nostalgia through the constructs of film and painting. Impersonal and personal all at once, they allude to fragmented space whilst conjuring an internalised or other world. Her longstanding exploration of the materiality of paint in relation to memory continues in this work, harnessing aspects of surface detail as a painterly vehicle to grasp at the intangible. Painted for Jones' recent solo exhibition 'Tales from the Cutting Room Floor', this work was inspired by the film Legally Blonde (2001). Merged with other memories, the painting presents the self or other-self as introspective, pensive whilst simultaneously comedic. After care: Due to the nature of the priming process which allows areas raw canvas to be visible (rsg on calico) do not hang in direct sunlight or above/near a heat source as this can lead to damage.

DETAILS AND DIMENSIONS
Painting:

Oil on Calico

Original:

One-of-a-kind Artwork

Size:

15.7 W x 15.7 H x 1 D in

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Lucia Jones is a Welsh painter. Since graduating from Falmouth University, she has exhibited globally in solo and group exhibitions including BEEP Painting Prize 2018. She has also been long listed for a number of art prizes such as John Moores 2020, Jacksons Art Prize 2022 and 2023. Her work is currently held in private collections in the UK, USA, Austria and Hong Kong. Jones’ practice explores memory and perception of self through the constructs of paint and film. Primarily utilising cinematic source imagery from obscure 1950s-90s b-movies, she addresses the intangible nature of memory and the shifting impressions of lived moments. Re-contextualising women from these sources, the paintings form a series of anonymised figures occupying fractured and fabricated environments. Liberated from their original medium and plains of existence, they are absorbed into the painted realm developed throughout her oeuvre; their context reconstructed and their world shaped around them, they act as cyphers to the experienced - to be glimpsed and examined. For further work, please visit

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