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Song of the Siren Painting

Agnese Kurzemniece

Latvia

Painting, Acrylic on Wood

Size: 52 W x 41.3 H x 0.4 D in

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About The Artwork

"The Song of the Siren" by Agnese Kurzemniece Mixed Media on plywood board Dimensions: 105 x 132 cm - Alternative title of the painting: "Deaf as Odysseus to the Siren's Song" Greek Mythology and the saga of Odysseus, in particular, have offered endless inspiration to artists and writers throughout time. In the infamous "Comedy of Errors" by William Shakespeare, Antipholus of Syracuse finds himself attracted to Luciana, who unbeknownst to him is the sister of his twin brother's wife Adriana. By the end of the scene, however, he is so thoughtfully baffled by the behavior of that enchantress, the 'siren' as she calls her, that he vows: "I'll stop my ears against the mermaid's song." Similarly, in Venus and Adonis, Adonis protests against his lover's seductive rhetoric, "bewitching like the wanton mermaid's songs," and manfully declares: My heart stands armed in my car, and will not let a false sound enter there. In both cases, Shakespeare alludes to Odysseus's encounter with the Sirens, in the XII book of Homer's Odyssey. The deeper message of "The Comedy of Errors" is to remind people that intuitive identifications can spell trouble. In the aforementioned verses, the unspoken referent is not so much the crew as the Greek hero himself. Odysseus's encounter with the Sirens in Homer's Odyssey remains one of the best-known episodes in world literature. In Homer's Odyssey, the Greek hero Odysseus, advised by the sorceress Circe, escapes the danger of the Sirens' song by stopping the ears of his crew with beeswax so that they are practically deaf. Odysseus himself wants to hear their song and has himself tied to the mast of his ship so that he is unable to steer it off its course. In art, the Sirens first appeared as birds with the heads of women and later as women, sometimes winged, with bird legs. This particular poem and the episode of Odysseus's adventures offered a tingling inspiration to Agnese. The Odyssey (written in the 8th century BC) is one of two major ancient Greek epic poems in 24 books traditionally attributed to the ancient Greek poet Homer. The poem is the story of Odysseus, the king of Ithaca, who wanders in the sea for 10 years trying to get home after the Trojan War. Agnese came up with the concept and initial sketches of the "Song of the Siren" following her visit to Sicily in late 2020. In Agnese's own words: “My work obtains a meaning when an exploratory or investigative process is involved. Otherwise, it feels just like a mechanical process. This has also been the case with "The Siren's Song". Following my recent trip to Sicily where I visited a good number of Ancient Temples, Archeological Museums, and the spectacular Ancient Greek Theatre of Taormina, I was fascinated by the story of Odysseus and started searching the Odyssey further for deeper, well-hidden messages and meanings. The Sirens try to lure Odysseus by a promise of knowledge: the history of the Trojan War, and everything that happens on the fruitful earth. But Odysseus never hears what the Sirens had to tell him; the gods still kept truth and knowledge hidden from mortals until the moment of their death. And the question remains the same: how can I best tell a story that is so essential to telling? Our stories narrate the way we portray and position ourselves in relationships to others, to our surroundings, but also, to ourselves. I believe that my painting communicates this eternal human quest for more knowledge and finally the truth. It's also that perfect imbalance between male and female, as Odysseus is a man and the Siren is a woman. It might be that the Siren knows the truth, but despite his genuine effort, Ullyseus never finds out. Seen from a rather different and wider perspective my painting attempts to speak this unspoken truth...“ The painting "The Song of the Siren" comes as one more piece in Agnese's genuine technique of working with mixed media (oil, acrylic, and oil pastel) on plywood board, and resonates the religious themes of her recent paintings such as "The Shape of Soul" (Dvēseles forma) of 2016 and "Noah's Ark" (Noasa škirsts, 2016). In these paintings, her ever-evolving style has been influenced by the Novgorodian icon-painting school and loosely relates to iconography. Her discrete iconic manner and constant play with characters and motifs balance between religious painting and stage design and sparks different interpretations.  When it comes to her choice of media used in her paintings, Agnese said: "I am not sure I would ever try to stick with just one. I always challenge myself constantly as an artist, and try new things and grow by exploring and experimenting. It feels like an ongoing dialogue between the painting and me. Sometimes I get the impression that my artwork is asking for a different medium to be used; this also allows me to create different textures and instill life into my work. I enjoy watching the figures trying to literally jump out of the painting!"  Note: Odysseus is also known as Ulysses in English.

Details & Dimensions

Multi-paneled Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:52 W x 41.3 H x 0.4 D in

Number of Panels:2

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I have a strong academic background, but over the last 10 years, oil paints have been replaced by acrylic paints. However, the interest in exploring humans in the broadest sense has remained unchanged. The images and themes are capacious and ambiguous, I have my own set of limited symbolic images, among wich the woman clearly plays a key role. It has unique, recognizable proportions and distortions. Through my artistic practice, I try to understand and feel some of the general patterns that nature and man live by. How we influence each other, how we shape each other, what are these archetypes, which explains our deepest interactions. Living through my personal experience and at the same time observing the world around me - people and nature, I find visual and poetic parallels embodied in universal schemes. Where landcapes are a lyrical scenographic background for the versatility of the inner world of man. I am concerned about the beauty and tragedy of life, the order and constancy of its flow, in which the brevity and uniqueness of each individual moment is drowned. Through symbolism and surreal scenes, I try to comprehend the world in which I am and of which I am a part. Pieces of my work are featured in private collections worldwide, also in Daugavpils Mark Rothko Art Centre, in Ogre History and Art Museum and Ventspils Museum. I'm a member of the Union of Latvian Artists Union and the Graphics Chamber of Riga. Several prize winner. Participating in the Venice Biennale 2022, within the framework of ARTBOX.PROJECT Venezia 1.0.

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