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Spring Tide Painting

Tanya Ogilvie-White

Australia

Painting, Wax on Wood

Size: 11.8 W x 16.5 H x 0.8 D in

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SOLD
Originally listed for $1,070
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46 Views
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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

'Spring Tide' is an original cold wax artwork of an azure kingfisher chick I photographed at the edge of the Clarence River, in northern New South Wales (Eastern Australia). It's part of my new Moonlight Series. I created it by building up contrasting layers of cold wax and oil paint, which I carved into to create texture and movement. The cold wax is interesting to work with - it has a soft luminance and a velvety texture that suits water scenes. I decided to create a high key palette to represent moonlight, leaving just glimpses of the darkening water and sky. This artwork is archival quality. It does not need to be framed (it's embedded into solid birch panel and prepped with picture hardware on the back, ready to hang).

Details & Dimensions

Painting:Wax on Wood

Original:One-of-a-kind Artwork

Size:11.8 W x 16.5 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Finalist, Refocus Awards (People's Choice), 2024 Finalist, The Facet Art Prize, 2023 Finalist, The Alice Prize, 2020 I'm an artist and photographer from Byron Bay, in the beautiful sub-tropical region of the Northern Rivers, on the east coast of Australia. The region is known for its beautiful scenery and spectacular wildlife, which I enjoy photographing as a nature photographer. Alongside my career as a scholar and writer, I've been creating art all my life, exhibiting my work at art festivals around the world. In 2017 I decided to launch my own art business, Scorching Skies Art, as an outlet for my encaustic artworks, some of which can be seen here. The technique I'm known for is known as 'photographic encaustic'. It involves burning layers of melted beeswax into enlarged, heatproof photographs, which are bonded to wooden panels and then transformed into wax paintings through the application of oils, inks, pastels and other materials. The resulting artworks take on a life of their own and are impossible to replicate. I'm drawn to the technique because it has such an ethereal quality, and also because the way the wax and pigments mix under the live flame feels like alchemy. Recent accolades for my work include: Finalist in The Alice Prize 2020 for encaustic triptych, 'Alice's Finches' Finalist in the Lethbridge 20000 Small Scale Art Award, 2019 (for 'Swooping Bee-eater', Skyward Series) Finalist in the 2018 Australian Photography of the Year awards (landscape category) Nominations in the 2017 and 2018 Fine Art Photography Awards, London (nature and wildlife categories) Shortlisted nominations in the 2017 and 2018 Wildlife Photographer of the Year Awards, London (earth's environments and black and white categories).

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Sydney, Sydney, Sydney

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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