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Star's Eyes Painting

Tiziano Bonanni

Italy

Painting, Oil on Canvas

Size: 39.4 W x 39.4 H x 2.4 D in

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About The Artwork

The material is alive. It is in turn the subject, it vibrates. Impressed in the material is the Idea that becomes Entity = Id – Entity. To this very type of Id – Entity, I have devoted over twenty years of patient research that ranged from the informal to realism, from painting to the plastic arts, from assemblage to the ready-made, finally arriving at something that incorporated it all in a different light, probably more sensitive to my bond with myself in a future projection, certainly more aware of the potentialities that could range through any field of the visual arts with practically unlimited developments. I have given a precise name to this identity: GenS or generative stratification, transitions of emotional memory, oxymorons of the impermanent and invisible. The intention is to remove the very concept of Painting with its intrinsic values and methodologies, as well as its definitions of objectivity/nonobjectivity now categorized by the history of art into stylistic movements and trends. GenS is an acronym coined to define a style, a personalized communication language; GenS consists of stratifications/removals with various materials that generate more or less recognizable images through the contents of memory. This language, essentially with roots in sculpting and painting, differs from all the others in that it is a series of sequential actions carried out on the image and material, actions not necessarily mediated by logic (sedimentations and alterations of the material, assemblies, combustion, engraving, etc.) resulting in the creation of unique works consisting of infinite poly-composite variables. GenS incorporates various types of language already in use in the twentieth century (combining – painting, assemblage, use of obsolete objects and recovered materials) but establishes a different relationship with the materials used. They undergo transformation processes by virtue of a ‘final unity’ that completely cancels out their identity – classifying them and making them recognizable as such – making them take on a plastic-emotional value in becoming anatomical parts, intuitive space, anamorphoses of emotional realities. In GenS, the general aspect is also less conceptual and much more structured, conceived and experienced with the valuable nature of research that investigates the qualities of the “thing” without ever becoming a method. Instead there is discovery and wonder at every step, where the very definition of “work” as a product of creativity can be replaced with transition. The stratification assumes some initial traces that allow the intuition to take on an embryonic conformation, to then generate constructive or subtractive sequential actions through the use of any material, tool, or element, until the work takes on its final identity.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 2.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Tiziano Bonanni, Florence, 23 May 1967. In 1984 Bonanni was awarded a Diploma as Master of Art in the Pictorial Decoration section of the Florence National Institute of Art. Here, in 1986, he then graduated from the Two- Year Course in Specialization in the same discipline, concluding his studies in 1990 at the Florence Academy of Fine Arts, in the painting section directed by Gustavo Giulietti. As a very young student, he supplemented his course of studies by frequenting the studios of the most important Tuscan masters, architects and artists of the post-war period, such as Silvio Loffredo, Pietro Annigoni, Cecco Ceccherini, Mario Calderai, Pier Niccolò Berardi, and Piero Tredici. Having completed his academic studies, he worked as private teacher and on projects in the field of furnishing accessories, ceramics, printed fabrics for wearing apparel, fashion accessories and designer jewellery for such famous Italian brands as Richard Ginori and Roberto Cavalli. In 1997 he was a founding member of “Rossotiziano - RST ART ACADEMY”, an artistic cultural association headquartered in Florence, which he now directs and coordinates as artistic director. In the same year, he was awarded the “Fiorino d’argento” for artistic merit in Palazzo Vecchio’s Hall of the Five Hundred on the occasion of the XV “Premio Firenze”, along with other outstanding figures in art and guests of honour such as Franco Zeffirelli and Fosco Maraini. His close ties to the history of Florence have always been distinctive of his style, where 15th-century spatial order evolves toward a tenser, more instable contemporary dimension. In 1999, at the tenth edition of “Etruriarte” held at Venturina in the Province of Livorno, he received First Prize in the painting section. With this recognition, he began to collaborate with such leading collectors as Tiziano Forni with his gallery in Bologna, and with such renowned Italian galleries as “GAMeC - Centro Arte Moderna” in Pisa, taking his place beside the leading Tuscan masters and artists most representative of Italian painting along with Pietro Annigoni, Renato Guttuso, Salvatore Fiume, Antonio Bueno, Tono Zancanaro, Ernesto Treccani, Aligi Sassu and others. In 2005 the monograph Linea di Confine [Border Line] an annotated catalogue edited by the art historian Nicola Micieli, was presented at the Palagio di Parte Guelfa in Florence.

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