view additional image 1
View in a Room ArtworkView in a Room Background
506 Views
4

VIEW IN MY ROOM

Study of a male nude, standing Painting

Felix Felbermayer

Austria

Painting, Tempera on Paper

Size: 11.8 W x 15.7 H x 0.1 D in

Ships in a Box

info-circle
SOLD
Originally listed for $345
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
506 Views
4

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

While the brown background surrounding the male nude is painting in heavy layers, the actual figure is left blank and the yellow underpainting, in egg tempera, is looking through. After sketiching the outlines of the man roughly with loose strokes using Indian ink, I encapsulated the figure in generous impasto. This paint is a special pigment-like powder carpenters used to use. But also in the technique of so-called flour-paste-painting, which is most commonly used for small wooden objects and furniture (samples of which can be found everywhere in old-fashioned country houses in Austria and beyond). I started to use this powder couple of years ago, and I love its unique quality, its chewyness when mixed with a binder, and above all its glossy shine, which can be seen in the left upper corner on the photograph.

Details & Dimensions

Painting:Tempera on Paper

Original:One-of-a-kind Artwork

Size:11.8 W x 15.7 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born and raised in Vienna, I was trained at the "Künstlerische Volkshochschule Lazarettgasse" in naturalistic, portrait and figure drawing for several years, and was taught oil as well as watercolour painting techniques. Later, I studied Classical Philology and Philosophy at the University of Vienna. My two great passions are visual art and literature. Having said that, I think it necessary to say that I do not mix up my interests in literature with my painting, but rather let them stand and thrive separately. Yet, although my literary and theoretical training may not have an impact on my visual artworks, it plays a crucial role in my artistic thinking, for it helps me to find a way through the sheer impenetrable jungle of contemporary art theories, concepts and ideas that shape our modern thinking of what "good" art is or ought to be. Even if I use a variety of different media and materials, I have a unique and very deep passion for watercolour. This is the medium I discovered first as a child, this is the medium I learned with how to represent reality. Since then, of course, my style expanded beyond realism. Now and then, however, I return to it. But my love for watercolour is still the same. It is my aspiration to find a completely new form, a new visual language for watercolour, as it were, because, looking at watercolour painting today, I surmise that most of it seems stuck somewhere between a formulaic form of realism and an odd revival of expressionism.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support