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sunlight & shadows 6-29-23 Painting
Thailand
Painting, Oil on Canvas
Size: 23.6 W x 27.6 H x 1 D in
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About The Artwork
sunlight & shadows 6-29-23 sunlight & shadows 6-29-23 is a smaller-scale female figure study on canvas in oils using a muted palette contrasting with areas of vibrant color. The work is painted with a fluid application of paint, staining and stripping back to allow areas of raw canvas to be visible. Utilizing bold, expressive brushstrokes, the artist builds layers of texture and emotion, conveying the beauty of the natural world. The muted palette gives way to bursts of vibrant colors, reminiscent of the play of light and shadow in a sun-drenched garden. Each brushstroke is purposeful, contributing to the overall sense of movement and influenced by post-impressionist painters. The composition features a dynamic interplay between the foreground and background, blurring the lines between reality and interpretation. Donaldson infuses the scene with a dreamlike quality, inviting viewers to explore the nuanced details of the flora and fauna. The work is titled and signed on the back
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:23.6 W x 27.6 H x 1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Thailand.
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Thailand
Thomas is an English painter based in Asia. His visceral works utilize the human figure/head juxtaposed with abstract mark making. This is achieved through the application of thick impasto paint, dragging and smudging the surface plus the occasional intervention of the "˜happy accident' or chance. All these elements contribute in the process of making or building a painting. This abstract quality is further emphasized by deliberate close cropping of his subject. The works also acknowledge certain aspects of the existentialist premise that one cannot fully know or experience the reality of another person, and that this separateness underlies our daily consciousness, hence the cropping and fragmented surface facilitates a way as to express this experience , as only a part of the subject is revealed. Although the works are representational and figurative they intend to suggest, rather than depict an accurate observation of his subject. This is more apparent as the viewer approaches the work, the painted surface dissolves into a seemingly unorganized arrangement of blotches and irregular textures.
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