"TORII" Painting
Painting, Acrylic on Canvas
35.4 W x 57 H in
Ships in a Crate
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$9,090
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
This work made with acrylic paint, natural pigments and ink on a rough sand textured canvas base, aims to mentally transport the viewer to a remote and magical place located in Japan, at Itsukushima Shrine Shrine in Miyajima. It is a mental landscape, felt and imagined after having had the experienc...
Year Created:
2019
Subject:
Styles:
Mediums:
Mediums:
Painting, Acrylic on Canvas
Rarity:
One-of-a-kind Artwork
Size:
35.4 W x 57 H x 1.5 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Spain.
Customs:
Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Painting for me is an act of reflection. It means starting a trip inside, a return to an original mythological silence. It is to enter a noisy silence, contemplative emptiness full of sense.
My years of artistic preparation studying traditional painting in Japan (Sumi-e), made me rediscover my environment with new eyes. The combination of my solid artistic formation in the University of Seville in Spain and my research studies in the University of Tokio showed me a particular suggestive language through which I try to build an emotional bridge with an intuitive perception of the infinity.
In my works there is a moment of detained contemplation, an effort to make the ephemeral permanent, to see the immobile and the immutable through the oasis of the calm reflexive contemplation. I pretend to make people feel the presence of the impalpable, of magic, of ineffable things …
The technique I use in my paintings promotes transparency, glaze, the light coming from the inside of the painting. The quality of the colours that I use is essential. It is a mixed technique that includes acrylic paint together with oil painting with natural pigments. With a texture obtained with the use of different types of sand, I intend to look for an “epidermis” for the painting that is sensitive as well as vibrating at the same time.
In none of my painting the human being has a place; it is not necessary; it is in the first place, always present by evocation. All in all, I pretend for my paintings to act as resonances for the engrossing vigilant spectator.
My paintings want to become “figurative” spaces that tend to the Absolute. Suggestion and evocation; they try to tell without pronouncing.
As Arthur Rimbaud said: “There are other worlds, but they are in this one”.
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