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I make these paintings on gessoed paper because they allow me to explore certain themes in my work. I like to create a square within a rectangle, or a rectangle within a square, on the surface of the paper. I find the tension between these spaces and shapes an interesting dynamic to work with, especially when the painting "crosses over the line". Painting on paper enables me to play with these shapes. For this work, I was thinking about bringing the concept of "landscape" to its absolute essence. I juxtapose the expressive brush strokes with the flat enamel and acrylic square While these can be hung, I love to hang them floating slightly away from the wall. By placing a nail in each corner and then using small magnets to hold the work in place, it creates a simple, minimal presence.
I make these paintings on gessoed paper because they allow me to explore certain themes in my work. I like to create a square within a rectangle, or a rectangle within a square, on the surface of the paper. I find the tension between these spaces and shapes an interesting dynamic to work with, especially when the painting "crosses over the line". Painting on paper enables me to play with these shapes. For this work, I was thinking about bringing the concept of "landscape" to its absolute essence. I juxtapose the expressive brush strokes with the flat enamel and acrylic square While these can be hung, I love to hang them floating slightly away from the wall. By placing a nail in each corner and then using small magnets to hold the work in place, it creates a simple, minimal presence.
I make these paintings on gessoed paper because they allow me to explore certain themes in my work. I like to create a square within a rectangle, or a rectangle within a square, on the surface of the paper. I find the tension between these spaces and shapes an interesting dynamic to work with, especially when the painting "crosses over the line". Painting on paper enables me to play with these shapes. For this work, I was thinking about bringing the concept of "landscape" to its absolute essence. I juxtapose the expressive brush strokes with the flat enamel and acrylic square While these can be hung, I love to hang them floating slightly away from the wall. By placing a nail in each corner and then using small magnets to hold the work in place, it creates a simple, minimal presence.
I make these paintings on gessoed paper because they allow me to explore certain themes in my work. I like to create a square within a rectangle, or a rectangle within a square, on the surface of the paper. I find the tension between these spaces and shapes an interesting dynamic to work with, especially when the painting "crosses over the line". Painting on paper enables me to play with these shapes. For this work, I was thinking about bringing the concept of "landscape" to its absolute essence. I juxtapose the expressive brush strokes with the flat enamel and acrylic square While these can be hung, I love to hang them floating slightly away from the wall. By placing a nail in each corner and then using small magnets to hold the work in place, it creates a simple, minimal presence.
I make these paintings on gessoed paper because they allow me to explore certain themes in my work. I like to create a square within a rectangle, or a rectangle within a square, on the surface of the paper. I find the tension between these spaces and shapes an interesting dynamic to work with, especially when the painting "crosses over the line". Painting on paper enables me to play with these shapes. For this work, I was thinking about bringing the concept of "landscape" to its absolute essence. I juxtapose the expressive brush strokes with the flat enamel and acrylic square While these can be hung, I love to hang them floating slightly away from the wall. By placing a nail in each corner and then using small magnets to hold the work in place, it creates a simple, minimal presence.

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Tear Drop 02 Painting

Milda K

United States

Painting, Oil on Paper

Size: 25 W x 22 H x 0.1 D in

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$185

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183 Views

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ABOUT THE ARTWORK

I make these paintings on gessoed paper because they allow me to explore certain themes in my work. I like to create a square within a rectangle, or a rectangle within a square, on the surface of the paper. I find the tension between these spaces and shapes an interesting dynamic to work with, especially when the painting "crosses over the line". Painting on paper enables me to play with these shapes. For this work, I was thinking about bringing the concept of "landscape" to its absolute essence. I juxtapose the expressive brush strokes with the flat enamel and acrylic square While these can be hung, I love to hang them floating slightly away from the wall. By placing a nail in each corner and then using small magnets to hold the work in place, it creates a simple, minimal presence.

DETAILS AND DIMENSIONS
Painting:

Oil on Paper

Original:

One-of-a-kind Artwork

Size:

25 W x 22 H x 0.1 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Milda K

Milda K

United States

Inspired by nature, history and the spaces humans create for themselves, my paintings and constructions conflate place and structure with memory and perception. I draw upon the experiences of place, seeking to distill the natural world and our perception of things down to their very essence. Though the work is abstract and minimal, it is anchored in the real. The slight angle of a tree trunk, a series of telephone lines or a particular pattern of current flow within a body of water become communicators of emotion, feeling and experiential place. My work is concerned with activating this space both in the painting and in the viewer.

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