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The Abbey Painting

Niccolò Leto

Italy

Painting, Oil on Wood

Size: 19.3 W x 9.8 H x 0.4 D in

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$1,700

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. A variant of a previous painting showing the abbey from a different angle with other trees in the lead role. However, every tree is so complex that viewed from a different angle it can seem completely different, inspiring another painting! I used a particularly wood-wormed panel in this case, sim...

Year Created:

2022

Subject:
Mediums:
Medium:

Painting, Oil on Wood

Rarity:

One-of-a-kind Artwork

Size:

19.3 W x 9.8 H x 0.4 D in

Ready to Hang:

Yes

Frame:

Brown

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Educated in England, I trained as an art restorer in Italy, first in Venice and then in Rome subsequently working on a variety of different artifacts. After many years in Tuscany I am now based in Campania. Though I drew from an early age, I approached painting only in the recent years calling upon the knowledge of the use of colour, the techniques of the old masters and the behavior of different materials. As a nature lover, landscapes are my preferred subject, rarely “contaminated” by the presence of mankind. In easel paintings I work from a neutral ground (which often acts as a medium tone ) juxtapositioning thin oil colour without any glazing, usually using a single dagger brush. In murals I work with fluid acrylic colour on a white luminous ground producing a mat gauche o tempera effect. Recently I discovered the pleasure of painting on wood using reclaimed door panels, gratifying also for my belief in the coalition economy-ecology. This however limits me to small formats where, not wanting to lose any feature, I inevitably use much detail. Contradictorily, having a keen interest in architecture and interiors, I particularly enjoy the larger scale of murals and trompe l’oeils which have a greater visual impact, enhancing and integrated in their environment. Occasionally I also do sculptural work where the theme is invariably inspired by nature. I prefer working with commissions, necessary of course for murals or trompe l’oeils.

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