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The Cranes dance Painting
Hungary
Painting, Tempera on Wood
Size: 19.6 W x 27.6 H x 1 D in
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About The Artwork
All animals have a way of communicating. This particular bird uses a dance to do so. The story goes that the crane never steps on the snow and always seeks the company of it's partner. On the painting we can see him alone and the viewer decides why The painting is made with 100% handmade natural pigments.
Original Created:2023
Subjects:Animal
Details & Dimensions
Painting:Tempera on Wood
Original:One-of-a-kind Artwork
Size:19.6 W x 27.6 H x 1 D in
Frame:Not applicable
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Serbia.
Customs:Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.
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Hungary
Emília Varga, born and raised in Serbia, is a master's graduate of the Academy of Arts in Novi Sad. Her style is recognizable for her detailed and evocative illustrations. Drawing inspiration from the unique landscape of Vojvodina, Emília creates artworks that resonate with viewers on an intimate and emotional level. Her artistic style blends traditional techniques with natural materials from her surrounding area, which is resulting the monochromatic color palette. In addition to her dedication to raising awareness and educating others about environmental challenges, she possesses a deep fascination with the unique relationship between humanity and the natural world. Intrigued by the interplay and interconnectedness between humans and nature, she also explores this captivating bond through her artistic expressions. She seeks to discover innovative ways of utilizing clay and soil in her artworks.
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