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The Golden Eel Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 72 W x 48 H x 1.5 D in

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About The Artwork

Sitting alone in the den watching the eel help me find my way home watching the eel burrows it's head in the sand daylight has come there shall be rest in a while daylight has come I can not repeal the words of the golden eel who can explain all these thoughts racking my mind an endless barrage of shit racking my mind the eel offered his help I can't understand speaking it's truth from the bank now I can see I can not repeal the words of the golden eel I can not repeal the words of the golden eel [solo] I can not reveal the words of the golden eel. ‘The Golden Eel’ by Ween Songwriters: Aaron Freeman & Mickey Melchiondo The Mollusk is the sixth studio album by American rock band Ween, released by Elektra Records on June 24, 1997. It is a multi-genre concept album with a dark nautical theme, with most songs incorporating elements from psychedelia and/or sea shanties, while also featuring a heavy progressive rock influence. Dean Ween described the album as "the only record that I ever felt really confident about" and "my favorite record we've ever done." Gene Ween has echoed this sentiment, saying: "The Mollusk is probably my favorite, at the end of the day." Ween is an American rock band from New Hope, Pennsylvania, formed in 1984 by Aaron Freeman and Mickey Melchiondo, better known by their respective stage names, Gene and Dean Ween. Generally categorized as an alternative rock band, the band are known for their irreverent, highly eclectic catalog of songs inspired by funk, soul, country, gospel, prog, psychedelia, R&B, heavy metal, punk rock, and countless more. Ween self-released several cassette albums from their formation until 1989. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 48 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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