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Tom Glendenning's practice is underpinned by contrasts of colour, texture and mark making. It questions the viewer's perspective, offering reference to both aerial and landscape compositions. Working on canvas with mixed media means his practice is constantly evolving and exploring the different qualities of both conventional media and found objects. Similarly, the inspiration for each work also varies, bringing to mind natural destruction and architectural decay, but also change, adaptation and hope. 'I want to celebrate the free, rebellious side of nature: the moss and ferns growing in a gutter that one day seem to be flourishing and then dying the next, the little things that change, the fragility of life.' This work in particularly was inspired by abandoned industrial ports, and old whaling stations in Galicia, north-west Spain.
Tom Glendenning's practice is underpinned by contrasts of colour, texture and mark making. It questions the viewer's perspective, offering reference to both aerial and landscape compositions. Working on canvas with mixed media means his practice is constantly evolving and exploring the different qualities of both conventional media and found objects. Similarly, the inspiration for each work also varies, bringing to mind natural destruction and architectural decay, but also change, adaptation and hope. 'I want to celebrate the free, rebellious side of nature: the moss and ferns growing in a gutter that one day seem to be flourishing and then dying the next, the little things that change, the fragility of life.' This work in particularly was inspired by abandoned industrial ports, and old whaling stations in Galicia, north-west Spain.
Tom Glendenning's practice is underpinned by contrasts of colour, texture and mark making. It questions the viewer's perspective, offering reference to both aerial and landscape compositions. Working on canvas with mixed media means his practice is constantly evolving and exploring the different qualities of both conventional media and found objects. Similarly, the inspiration for each work also varies, bringing to mind natural destruction and architectural decay, but also change, adaptation and hope. 'I want to celebrate the free, rebellious side of nature: the moss and ferns growing in a gutter that one day seem to be flourishing and then dying the next, the little things that change, the fragility of life.' This work in particularly was inspired by abandoned industrial ports, and old whaling stations in Galicia, north-west Spain.
Tom Glendenning's practice is underpinned by contrasts of colour, texture and mark making. It questions the viewer's perspective, offering reference to both aerial and landscape compositions. Working on canvas with mixed media means his practice is constantly evolving and exploring the different qualities of both conventional media and found objects. Similarly, the inspiration for each work also varies, bringing to mind natural destruction and architectural decay, but also change, adaptation and hope. 'I want to celebrate the free, rebellious side of nature: the moss and ferns growing in a gutter that one day seem to be flourishing and then dying the next, the little things that change, the fragility of life.' This work in particularly was inspired by abandoned industrial ports, and old whaling stations in Galicia, north-west Spain.
Tom Glendenning's practice is underpinned by contrasts of colour, texture and mark making. It questions the viewer's perspective, offering reference to both aerial and landscape compositions. Working on canvas with mixed media means his practice is constantly evolving and exploring the different qualities of both conventional media and found objects. Similarly, the inspiration for each work also varies, bringing to mind natural destruction and architectural decay, but also change, adaptation and hope. 'I want to celebrate the free, rebellious side of nature: the moss and ferns growing in a gutter that one day seem to be flourishing and then dying the next, the little things that change, the fragility of life.' This work in particularly was inspired by abandoned industrial ports, and old whaling stations in Galicia, north-west Spain.
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The Outskirts of Cangas Painting

Tom Glendenning

Spain

Painting, Acrylic on Canvas

Size: 19.7 W x 27.6 H x 1.2 D in

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202 Views
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About The Artwork

Tom Glendenning's practice is underpinned by contrasts of colour, texture and mark making. It questions the viewer's perspective, offering reference to both aerial and landscape compositions. Working on canvas with mixed media means his practice is constantly evolving and exploring the different qualities of both conventional media and found objects. Similarly, the inspiration for each work also varies, bringing to mind natural destruction and architectural decay, but also change, adaptation and hope. 'I want to celebrate the free, rebellious side of nature: the moss and ferns growing in a gutter that one day seem to be flourishing and then dying the next, the little things that change, the fragility of life.' This work in particularly was inspired by abandoned industrial ports, and old whaling stations in Galicia, north-west Spain.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:19.7 W x 27.6 H x 1.2 D in

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Tom Glendenning is an artist and muralist based in Spain whose paintings have been exhibited internationally. He describes his artistic expression as being rooted in the contrasts of colour, mark-making, and texture, as well as controlled randomness. Specifically, Glendenning endeavours to create a "sense of place" within each of his compositions, often focusing on the relationship between urban and natural environments.

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