VIEW IN MY ROOM
Spain
Painting, Acrylic on Paper
Size: 9.6 W x 13.7 H x 0.1 D in
Ships in a Tube
Painted over three plein air sessions during a week late in April where one of my local rivers burst it's banks and the 'ramblas', dry channels often used as unpaved roads, filled with fast moving, flash flood, water. I was more concerned with trying to convey a sense of the strong winds, whipping clouds, and driving rain, than representing the actual topography of the place. Spain, so often a place of clear blue skies, is incredibly dramatic when the weather closes in. I used acrylics, graphite and charcoal on mid-weight, smooth finish water colour paper. Back in the studio I gave to finished piece two layers of semi gloss varnish to ensure protection against UV and guarantee long lasting colour fastness.
Painting:Acrylic on Paper
Original:One-of-a-kind Artwork
Size:9.6 W x 13.7 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Spain
I'm Stuart Hyde, painter and fine art photographer, born in the UK's West Midlands in 1960, but now lucky enough to live and work in the Altiplano badlands of Granada province in Southern Spain. In addition to formal training, I studied with both the renowned British Post War artist Paul Rudall, 'Modern' to the core, and the markedly more traditional but no less successful English landscape painter W.R. Jennings. Even now, years later, my work still seems to veer between their respective, often polarising influences. Maybe more importantly, I still have the same daily joy in painting that these vastly different painters both had, and instilled in me. I consider myself primarily a painter/photographer of my environment, but one who occasionally flips out on the corner to find myself in a field of photographic or painted abstraction. It might be considered a somewhat schizophrenic approach, but I've learned to accept it and embrace the aberrations as they appear. Representative or abstracted, the outer landscape or an inner landscape, both my painted and photographic work is as concerned with subliminal impressions and memory, real or imagined, as it is with sketches and scribbled notes made painting plein air. Photos are interpretive, carefully and consciously avoiding any nods to documentation, while paintings use texture, form, and conscious line balanced against the randomness of intuitive mark making, and the emotional, expressive response to evolving surface and space.
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