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The wooden castle Painting

Milada Kopeliovich

Hungary

Painting, Acrylic on Canvas

Size: 47.2 W x 39.4 H x 2 D in

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$1,440

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About The Artwork

This series of works presents an artificial model of my memories. Rethinking family relationships has become for me a practice of self-discovery. The experience acquired in childhood is mythologized in the mind of an adult. The interior of a post-Soviet apartment becomes indistinguishable from the imaginary world of children's games. Real experiences are also indistinguishable from a mask that has to be put on according to the rules of the game. Repeating wooden block castles in a series of works are the only constructed element of the reality in the ongoing chaos. But even this element is subjected to accidental destruction, just like the child's emerging ideas about the world.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 39.4 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Milada Kopeliovich, born in 1991 in Almaty, Kazakhstan, is an accomplished artist specializing in painting. In 2011, she studied "Foundation in Art and Design" on a scholarship at Wakefield College, United Kingdom. In 2021, she graduated from the I.E. Repin Academy of Arts in Saint Petersburg, Russia, with a specialization in Monumental Art, receiving the prestigious "Best Graduation Project 2021" medal from the Russian Academy of Arts (RAA). Her graduation project is now part of the permanent collection at a State Museum in Moscow. Her works are also held in private collections in the United Kingdom, the United States, Canada, China, Italy, Kazakhstan, and Russia. Currently, the artist resides and works in Budapest, Hungary and plans to gain recognition through exhibitions and collaborations with European Artists. Milada's work explores universal themes, reflecting the societal and cultural challenges of contemporary life giving an apocalyptic aftertaste. Her figurative painting serves as a commentary on the loss of global mythologies and answers existential questions of the human experience. Her art is deeply personal yet resonates with a broader audience, particularly those who came of age in the post-Soviet era.

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