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This is the painting on the other side of the paper
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Painting with a credit card
Robot draws with Acrylic marker over the abstract background

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There Will Be a Better World or There Will Be No World At All Painting

Teo Spiller

Slovenia

Painting, Acrylic on Paper

Size: 18.5 W x 13 H x 0.1 D in

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$330

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ABOUT THE ARTWORK
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This is not just a painting to hang on a wall; it’s a piece to hold, to turn over, to contemplate. Two sides, like two faces of the same coin, connected by a shared language of color and form. It’s a dialogue between opposing forces, a dance of light and shadow. The marks on this paper aren’t made ...

Year Created:

2022

Subject:
Medium:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

18.5 W x 13 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Slovenia.

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Need more information?

I use machines to create art, wondering if machines will one day understand my art. Computers, mobile phones and robots are strongly getting into our minds. We are more and more behaving like machines, while Intelligent devices are more and more behaving like humans. Once there might be no difference between the machine and the human at all. I examine different forms our technology based society takes, and the motives that lie behind it. I use the copy-paste culture, post-production and modularity as the common denominators of the digitized worlds. Altering them is a way of questioning the attitudes, fears, unwritten rules, opportunities and dangers which have formed that environment and our behavior within it. Aesthetics and ontology of my work are strongly related to my working process. I take icons, symbols and other entities from the mediated reality and combine them in algorhytmic ways. I strive to convey that sense of algorhytmic simplicity by capturing its algorhytmic language.

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