36 Views
5
View In My Room
Painting, Acrylic on Canvas
Size: 48 W x 36.2 H x 1.4 D in
Ships in a Crate
36 Views
5
Artist featured in a collection
There are plenty of lovely paintings with pretty birds, foliage and flowers, so I decided to do a painting with hose features of our landscape that don't usually get a look in.... and now for something completely different.... this work is my celebration of everything considered reasonably unattractive, undesirable or long forgotten; it's a shout out to everyone and everything that doesn't measure up to the 'beautiful' standard. I like the prickly pear for example - a noxious weed granted, but it pierces the Australian landscape with such a shapely architectural structure that parts of the country would be boring without it. Or the bush turkey, a gardeners pest - but it's an ancient relic that must be admired for it tough adaptable nature, it's fantail of black plumage and the brilliant red and yellow markings. An old motorbike or petrol pump or a little of old tins and signs can be trash, but to me they are rusty gold, telling our history with their vintage graphics and outdated notions. To some it's all trash, to others like me, it's all treasure. The painting is gritty with lots of texture, masculine and rough. It is ready to hang with wire across the back, it's varnished and the sides are painted. Signed on the front and comes with a Certificate of Authenticity.
2020
Acrylic on Canvas
One-of-a-kind Artwork
48 W x 36.2 H x 1.4 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Australia.
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Mary is a self-taught artist who has been quietly honing her skills for most of her life. She began painting with water colour before discovering her passion for pastels. In the mid nineties she married and had two children, and in between being a mum started painting with acrylics. A large part of Mary's creative expression involves telling a story and much of her large scale works reflects this- "My process often starts with asking myself where would I like to be today? and what story do I want to tell? It's usually a wide open space so I can have a look around to see what I want to say. The idea unfolds as I go, the placing of objects determines the next, guided by an overall mood, story and colour scheme that I have decided upon. The imagery that I use is drawn from personal experience, from childhood memories right through to current observations and everyday life.In the landscape format, I can surround m self with things I find interesting and leave out all the clutter that would probably be there in real life." Mary starts with the darkest tones and moves forward to the lightest, highlighting little details along the way and so the finished piece is something that is familiar but at the same time a little strange and unusual. Each work takes many weeks to complete as Mary constructs each landscape from scratch - the perspective, the scale, light, imagery and the colour palette. All her paintings are unique and individual and while her subject matter varies from painting to painting, they all include her distinctive style.
Artist featured by Saatchi Art in a collection
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