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Traverse, No. 1 Painting

Mark Lewis

United Kingdom

Painting, Oil on Aluminium

Size: 12 W x 16 H x 0.2 D in

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About The Artwork

Original abstract art oil painting Oil on aluminium panel (although not photographed here, this will be supplied in a frame). 16" x 12" © 2014 This was an experiment to see how the brush would flow over an ultra smooth surface. It was okay - not quite as smooth as I had expected - but what I didn't account for was that, after the earlier layers of paint had dried, they would cause their own bumps and ridges, which steer the brush off course. Nevertheless, it was enjoyable painting on a different surface.

Details & Dimensions

Painting:Oil on Aluminium

Original:One-of-a-kind Artwork

Size:12 W x 16 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Nottingham, UK, in 1968. I haven’t followed the usual route towards becoming a Fine Artist (if I can call myself that, yet); but when my wedding videography business came to an end in 2008, I wanted to find something that would satisfy my creative needs far better than it had been done with the weddings. I had dipped my toes into several things along the way, such as calligraphy, typeface design, poetry, and writing, but all had to be dropped for the commitments I had to the wedding bookings. Unfulfilled and frustrated is a feeling that seems to have always been with me. I had sacrificed my artistic calling for too long! But then my Mother was diagnosed with Dementia, and I wanted to stay at home to care for her. Painting pictures seemed to be the perfect solution, and I finally enjoyed a few creative years. But then the decline of my Father came along, and my Mother’s needs grew, so I have not been as prolific with the painting as I would like to have been recently. But at least it is for a better reason than having to do a job that I didn’t enjoy. Maybe there will always be something to stop me fulfilling my destiny, but at least I have learnt through my parents that I can at least get closer to it by painting pictures with oil paint. If I were to try to penetrate the core of my work, I feel that the therapeutic feeling of calligraphy, and the drawing of serif’d typefaces with a pen or pencil, is probably in there somewhere. The swirling lines have always had a meditative impact on me. I also enjoy the challenge of finding an aesthetically pleasing design when working with a set of rules that are, perhaps, not apparent. If a line has committed itself to a certain direction, how can I get it to arrange itself in a way that I find appealing?

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