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'Tune in, Drop Out of Love' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 10 W x 30 H x 0.5 D in

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$400

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About The Artwork

Tune in, drop out of love Pull the trigger, I'm a hippie So said a truth, in blood Alive and well, you push the buttons Standing in line of fire For the whole, my soul Step codes, the drums and sing Love the children, learn to live with everything Love, love, I'm a trigger hippie, yeah Love, love, love we're trigger hippies, yeah Zoom in, cut out, add sound Make it feel so trippy Hung up, let down to ground Forget the kill, it's far to sticky Love, love, I'm a trigger hippie, yeah Love, love, love we're trigger hippies, yeah Love, love, I'm a trigger hippie, yeah Love, love, love we're trigger hippies, yeah Love, love, I'm a trigger hippie, yeah Love, love, love we're trigger hippies, yeah ‘Trigger Hippie’ by Morcheeba Songwriters: Paul David Godfrey / Ross Godfrey / Skye Edwards Who Can You Trust? is the debut studio album by English electronic music group Morcheeba. It was released in 1996 on China Records in the United Kingdom and Discovery and Sire Records in the United States. Stylistically, the album is by far the band's most trip hop oriented release, consisting of languid, looping grooves, using mostly Rhodes piano, electric guitar and scratching. At the end of 1998 the album was re-issued as 2-CDs with the 8 track disc Beats & B-Sides collection. Morcheeba is an English electronic band formed in the mid-1990s with founding members vocalist Skye Edwards and the brothers Paul and Ross Godfrey. They mix influences from trip hop, rock, folk rock and downtempo, and have produced nine regular studio albums since 1995, two of which reached the UK top ten. Edwards left the band in 2003, after which the brothers used a number of singers before she rejoined in 2009. They recruit additional members for their live performances and have toured internationally. In 2014 Paul Godfrey resigned from the band. Edwards and Ross Godfrey later formed Skye | Ross and released a self-titled album in September 2016. Their latest studio album as Morcheeba, Blaze Away, was released in June 2018. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:10 W x 30 H x 0.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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