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Painting, Acrylic on Paper
Size: 21 W x 15 H x 0.1 D in
Ships in a Crate
Painting:Acrylic on Paper
Original:One-of-a-kind Artwork
Size:21 W x 15 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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Born in Rangoon, Burma in 1948, the Burmese artist Aung Aung Taik, received the traditional boarding school education of his class, after which he decided not to follow his father's footsteps and enter medical school, but to study painting. He attended the State Academy of Art in Rangoon and took private lessons from two of Burma's leading artists, U Ba Kyi and U Ngwe Gaing. Afterwards, he accompanied his mentors, the writers Ludu U Hla and Daw Ahmar on a number of anthropological expeditions into the remote regions of Burma. Aung Aung Taik illustrated a series of books published by Ludu U Hla. Successful exhibitions of his work in Burma and Japan followed. Dissatisfied with stagnation in the fine arts and seeking greater artistic autonomy, Aung Aung Taik left Burma and came to the United States in 1972 and continued his studies at the San Francisco Art Institute. A series of exhibitions led to his first one-man show at the Mission Cultural Center in 1981, where Tom Albright commented in the San Francisco Chronicle that Aung Aung's paintings "...suggest some of the strange stage sets of Francis Bacon carried to a greater degree of abstraction... Intense engagement with the diversity of cultural life in the San Francisco of the 80's led him to a mastery of the English language and the desire to express some of his understandings in poetry and prose. Visions of Shwedagon (1989), an autobiographical novel followed, and with it a renewed interest in the Theravada tradition of Buddhism native to his homeland. Aung Aung extended his grasp of that unique viewpoint with a series of sculptural representations of the Buddha and the essay, " A View from the Lower Life"(1992). In a further celebration of the traditions of his homeland, he published his Under the Golden Pagoda (1993) with Chronicle Books, reclaiming Burma's rich cuisine as an integral part of his San Francisco life. Aung Aung Taik became an American citizen in 1994. In 2001, Aung Aung Taik, one of the pioneer modern artists of Burma, returned to his beloved country to paint, and have his first solo exhibition there after 30 years in America. Since then, Aung Aung Taik has been visiting Burma annually having one man shows and group shows in Rangoon and Mandalay. He conducted art workshops and forums at Htanyeiknyo Art Center in Mandalay. He is of one of the founders of Art Space, which opened in February 2008.
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